"Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Kammerchor Sofia had its release date on 1994. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #18 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Kammerchor Sofia has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act II, Scene 3: Ecco l'elmetto ch'io vi dono (Paolo, Francesca, Il Torregiano, Chorus) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| II Barbieri Di Siviglia: : Largo Al Factotum | Orchestra Of The Romanian Opera in Bucharest and Choir, Michai Brediceanu, Nicolae Herlea | G Major | 1 | 9B | 81 BPM | ||
| Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | ||
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Francesca da Rimini, Act II: È dolce cosa rivedere la vostra faccia (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | ||
| I Pagliacci: Recitar!...Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | D♭ Minor | 1 | 12A | 112 BPM | ||
| Rossini: Stabat Mater: VII. Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | ||
| La Bohème / Act 3: "Sa dirmi, scusi" - Live | Giacomo Puccini, Anna Netrebko, Gerald Haeussler, Tiziano Bracci, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B Major | 0 | 1B | 65 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Francesca da Rimini, Act III: Paolo, datemi pace! (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| La Gioconda / Act 1: E cantan su lor tombe! | Amilcare Ponchielli, Sherrill Milnes, Montserrat Caballé, Alfreda Hodgson, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 165 BPM | ||
| Cavalleria Rusticano: V. Romance and Scene. Voi lo sapete, O mamma (Santuzza) - Miseri noi [Lucia · Santuzza] | Pietro Mascagni, Filippo Arlia, Berliner Symphoniker, Irina Dolzhenko, Alessandra di Giorgio | E Major | 1 | 12B | 83 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: E se il fratello vede che taluno tocca la donna del fratello (Malatestino, Gianciotto) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Kenneth Riegel, Philippe Roillon | E♭ Major | 3 | 5B | 111 BPM | ||
| Manon Lescaut / Act 4: Tutta su me ti posa | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B Minor | 0 | 10A | 77 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| Mazurka per concerto "Amarezze" - For Violin and Guitar | Riccardo Zandonai, Sergio La Vaccara, Luca Lucini | F Minor | 2 | 4A | 82 BPM | ||
| Lucia di Lammermoor, Act I: Cruda, funesta smania (Enrico) | Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Nino Sanzogno, Ettore Bastianini | D Major | 1 | 10B | 70 BPM |