The Devlins's ' "In Seville" was released on its scheduled release date, 2002. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 12 in Consent by The Devlins. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In Seville is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of In Seville by The Devlins is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ivy | Thirteen Senses | D♭ Minor | 7 | 12A | 140 BPM | ||
| Still Asleep (Bonus Track) | RPWL | A Minor | 5 | 8A | 128 BPM | ||
| Glad We've Almost Made It | SJ Hoffman | A Major | 6 | 11B | 133 BPM | ||
| Demon Called Deception | Grant Lee Buffalo | F♯ Major | 3 | 2B | 60 BPM | ||
| Runaway | Colin Macleod | E Minor | 5 | 9A | 130 BPM | ||
| Kicks In | Colin Macleod | G Major | 7 | 9B | 69 BPM | ||
| Panic | Broken Cloudy King | B♭ Major | 4 | 6B | 79 BPM | ||
| Distance | The Sweet Serenades | A♭ Major | 4 | 4B | 150 BPM | ||
| Shapes and Colors | The Sweet Serenades | B Major | 7 | 1B | 150 BPM | ||
| WTLG Revisited | Aitor Castells | A♭ Minor | 4 | 1A | 120 BPM | ||
| At the Pearly Gates | The Real Imaginary | E♭ Major | 6 | 5B | 140 BPM | ||
| Rust | Echo & the Bunnymen, Mark 'Spike' Stent | C Major | 6 | 8B | 160 BPM | ||
| Gwendolen | Hail the Ghost | D♭ Major | 9 | 3B | 120 BPM | ||
| Deep Space | Haver | D♭ Major | 4 | 3B | 175 BPM | ||
| Set The Fire To The Third Bar (Reworked) | Snow Patrol | G Major | 5 | 9B | 96 BPM | ||
| Five Miles to Midnight | The Devlins | D♭ Minor | 6 | 12A | 80 BPM | ||
| London | The Exploding Boy | C Major | 5 | 8B | 132 BPM | ||
| Burst Like A Star | Wrest | D♭ Minor | 2 | 12A | 117 BPM | ||
| In a Silent Way | The Me In You | F Major | 5 | 7B | 108 BPM | ||
| You're Gone | Marillion | G Major | 9 | 9B | 100 BPM | ||
| Che Alé | Jack Pleasants | D Major | 6 | 10B | 114 BPM | ||
| With You | Desert Sparrow | C Major | 7 | 8B | 100 BPM | ||
| Help Yourself to Me | Madrugada | D Minor | 5 | 7A | 148 BPM | ||
| Stop to Smile | Black Swan Lane | D Major | 8 | 10B | 94 BPM | ||
| Simple | Broken Cloudy King | A Minor | 6 | 8A | 160 BPM |