"White House Party Prep" by Mark Mothersbaugh had its release date on March 20, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "The Residence (Soundtrack from the Netflix Series)". In this album, this song's track order is #1. Based on our statistics, White House Party Prep's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With White House Party Prep by Mark Mothersbaugh having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tainted Reputation | Audiomachine, Harry Lightfoot | G Major | 7 | 9B | 125 BPM | ||
| Nina’s Theme | Laura Karpman | F♯ Major | 5 | 2B | 91 BPM | ||
| Rolling Start | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Wake Up Dead Man | Nathan Johnson | D Minor | 3 | 7A | 171 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| I've Been Played | David Holmes | B Major | 0 | 1B | 134 BPM | ||
| A Night in Cairo | Alexandre Desplat | D♭ Major | 1 | 3B | 136 BPM | ||
| Black Bag | David Holmes | G Minor | 2 | 6A | 130 BPM | ||
| Bioluminescence | Ho-Ling Tang | G Major | 2 | 9B | 96 BPM | ||
| Little Kaiserin | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | D Major | 0 | 10B | 77 BPM | ||
| End Credix | Mathieu Alvado, London Symphony Orchestra | C Minor | 3 | 5A | 75 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| Warring States I | Akihiro Manabe | D Major | 5 | 10B | 155 BPM | ||
| Drop Main Title | Bear McCreary | A♭ Major | 4 | 4B | 116 BPM | ||
| Muggle-Wumps Discovered | Oli Julian | G Major | 3 | 9B | 162 BPM | ||
| Hiding Clocks | Anne Nikitin | D Major | 5 | 10B | 155 BPM | ||
| I Am Where I’m Supposed To Be | Christopher Bear | E Minor | 0 | 9A | 77 BPM | ||
| Winning Him Over | David Schweitzer | F Major | 2 | 7B | 80 BPM | ||
| Barcodes | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| The Woman In White | Thomas Newman | B♭ Major | 0 | 6B | 83 BPM | ||
| Osprey | Robert Duncan | D♭ Major | 5 | 3B | 126 BPM | ||
| Such A Mess | Alexis Grapsas | B♭ Minor | 1 | 3A | 112 BPM | ||
| Père-Lachaise | Mathieu Lamboley | F Minor | 2 | 4A | 98 BPM | ||
| Searching For Salvation | Marco Beltrami, Miles Hankins, Grace Davidson | E Minor | 1 | 9A | 129 BPM | ||
| Man From the Future | Geoff Zanelli | D Major | 5 | 10B | 155 BPM |