Laura Karpman's 'Nina’s Theme' had a release date set for August 8, 2025. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 26 in Duster (Original Series Soundtrack) by Laura Karpman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Nina’s Theme is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nina’s Theme by Laura Karpman is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waltz and Dazzle | Marcelo Zarvos | E Minor | 0 | 9A | 151 BPM | ||
| On the Way to San Mateo | Lalo Schifrin | C Minor | 4 | 5A | 129 BPM | ||
| The Arm In The Mirror | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Orangerie | Rob | B♭ Minor | 3 | 3A | 100 BPM | ||
| I've Been Played | David Holmes | B Major | 0 | 1B | 134 BPM | ||
| I Owe You My Life | Max Aruj, Alfie Godfrey | G Minor | 1 | 6A | 74 BPM | ||
| The End Was Peaceful | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| Clarisse and the Ironclad | Bear McCreary, Sparks & Shadows | C Minor | 4 | 5A | 118 BPM | ||
| Cheaters | Mark Orton | E♭ Minor | 1 | 2A | 96 BPM | ||
| Faster Ways To Die | Andrew Lockington | E Major | 1 | 12B | 76 BPM | ||
| Café Milano | Corey Fonville, Sam Fribush, Charlie Hunter, FONVILLE | F Minor | 10 | 4A | 175 BPM | ||
| I Know You | Max Aruj, Alfie Godfrey | D♭ Major | 8 | 3B | 125 BPM | ||
| District Eleven | Sunbörn, Clap! Clap! | D♭ Major | 10 | 3B | 196 BPM | ||
| If I Die On This Show | Steven Price | A Major | 3 | 11B | 105 BPM | ||
| Dead Body Waltz | Siddhartha Khosla | C Minor | 1 | 5A | 107 BPM | ||
| Dawn Rises | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| The Woman In White | Thomas Newman | B♭ Major | 0 | 6B | 83 BPM | ||
| Le jardin féerique (From Ma mère l'oye, Ballet, M. 62) - Recomposed | Victor Le Masne | D Major | 2 | 10B | 46 BPM | ||
| Unburden Yourself | Siddhartha Khosla | G Minor | 1 | 6A | 108 BPM | ||
| Don't Wake The Dead | Thomas Newman | C Major | 2 | 8B | 184 BPM | ||
| Finding a Voice | Anne Dudley | A Minor | 4 | 8A | 155 BPM | ||
| A Big Game | Ramin Djawadi | F Minor | 1 | 4A | 100 BPM | ||
| A Rich Husband | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| Happy Hour | David Fleming | F Major | 1 | 7B | 145 BPM | ||
| A Catch | Daniel Pemberton | C Major | 1 | 8B | 86 BPM |