Larissa Almeida's ' "Om Jai Shiv Omkara" was released on its scheduled release date, October 25, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Sampoorna Aarti Sangrah". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Om Jai Shiv Omkara is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Om Jai Shiv Omkara by Larissa Almeida having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanhaiya Tumhe Ek Nazar Dekhna Hai | Acharya Mridul Krishna Goswami | A♭ Major | 6 | 4B | 160 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Dakshinesware Balo Ramkrishna Nam | Mahesh Ranjan Shome | F Minor | 6 | 4A | 140 BPM | ||
| Shree Hanuman Ashtak | Nitin Mukesh | F♯ Major | 10 | 2B | 130 BPM | ||
| బిల్వాష్టకం | Sasidhar Darla | G Major | 3 | 9B | 171 BPM | ||
| Palkhi Nighali Ti Payi Payi | Sacchidanand Appa | F Minor | 7 | 4A | 143 BPM | ||
| Radhe Tula Bolavito | Vishnubuva Vavanjekar | B♭ Minor | 8 | 3A | 108 BPM | ||
| Nitipravin Nigmagam | Shree Swaminarayan Mandir Kalupur | F♯ Major | 6 | 2B | 117 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Dulha Sindoor Liyau Hath | Poonam Mishra | A♭ Major | 8 | 4B | 150 BPM | ||
| Khatu Shyam Chalisa | Bhakti Bhajan Sangrah | C Major | 4 | 8B | 100 BPM | ||
| Tuzh Ga Mala Yaad lagal | Lk Laxmikant, Larissa Almeida, Raj Kamble | E♭ Minor | 5 | 2A | 133 BPM | ||
| Shiv Lingashtakam Stotrum | Vishal Khera | B♭ Minor | 8 | 3A | 89 BPM | ||
| Shyamji Sun Lo Na Mera Dil Ki Pukar | Pyare Chauhan | E Minor | 8 | 9A | 82 BPM | ||
| Aj Mane Samo Malyo Chhe Alabelo | Sadhu Vishwaswarupdas | F Major | 5 | 7B | 144 BPM | ||
| Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM | ||
| Hai Surta | Sanju Sharma | D♭ Major | 9 | 3B | 85 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Nagar Kot Ki Javala Mata | Shahnaz Akhtar | F♯ Major | 9 | 2B | 76 BPM | ||
| Om Jai Shiv Omkara | Larissa Almeida | F♯ Major | 5 | 2B | 86 BPM | ||
| Ade Dwaraka | Jagadiswari Murthy, Pavan, Sireesha Bhagavatula | F Major | 6 | 7B | 81 BPM | ||
| Hanuman Chalisa | Larissa Almeida | F Minor | 8 | 4A | 78 BPM | ||
| Hanumantha Dwadashanaama | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Mere Sir Par Hath Rakho | Shridhay Shri Mridul krishna shastri ji maharaj | F♯ Major | 7 | 2B | 82 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM |