On July 4, 2019, the song "Changing Lanes" was released by ダニエル・ルブラン. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Score Music Library From Daniel LeBlanc (Vol.4 Rock)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Japan. The popularity of Changing Lanes is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Changing Lanes by ダニエル・ルブラン having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Astral Ascendance | Tarthrezol | E♭ Minor | 2 | 2A | 112 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | F♯ Major | 0 | 2B | 73 BPM | ||
| Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
| Passacaglia in G Minor (After G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | A Minor | 1 | 8A | 149 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: IV. Menuett | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | A Major | 1 | 11B | 133 BPM | ||
| Hungry Wolf | Savelu | D Major | 2 | 10B | 110 BPM | ||
| Tchaikovsky: The Seasons, Op. 37a: No. 6, June. Barcarolle (Orch. Gould) | Pyotr Ilyich Tchaikovsky, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Minor | 0 | 6A | 82 BPM | ||
| The River | World Of Woe | F♯ Major | 1 | 2B | 96 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Valse Etude | William Gillock, Akira-M | F Major | 1 | 7B | 154 BPM | ||
| アンダンテ (ピアノ・ソナタ K.381より) | Wolfgang Amadeus Mozart, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM | ||
| Zigeunerbaron (El Barón Gitano), Op.418 | Gerardo Taube Horowitz | B♭ Major | 4 | 6B | 176 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| L'art du chant appliqué au piano, Op. 70: No. 20, Voi che sapete (After Mozart's K. 492) | Sigismond Thalberg, Paul Wee | B♭ Major | 0 | 6B | 117 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Bathing Waltz | Roger Suen | B♭ Minor | 2 | 3A | 118 BPM | ||
| Solfeggietto C.P.E. Bach | Leslie Bridges | F Minor | 2 | 4A | 125 BPM | ||
| Beaux-Arts de Paris | Jonas Struck | G Minor | 0 | 6A | 180 BPM | ||
| Fra Holbergs tid, Op. 40: V. Rigaudon (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 134 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| 8 aus 12 oder Von der Freiheit, in Begrenzung Schönheit zu entdecken, Op. 36: IV. Rhythmus - UA | Thomas Noettling, Österreichische Kammersymphoniker, Ernst Theis | A Major | 2 | 11B | 77 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): I. Passacaglia | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| Mussorgsky - Gnomus | ダニエル・ルブラン | B♭ Major | 1 | 6B | 103 BPM |