"Berceuse, Op. 20" by Dora Pejačević, Natasa Veljkovic had its release date on March 4, 2016. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Berceuse, Op. 20's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Pejačević: Complete Piano Works". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Berceuse, Op. 20 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Berceuse, Op. 20 by Dora Pejačević, Natasa Veljkovic having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pour le piano, CD 95: II. Sarabande - Excerpt | Claude Debussy, Lívia Rév | D Minor | 0 | 7A | 106 BPM | ||
| Tears | Alexei Stanchinsky, Peter Jablonski | D Minor | 0 | 7A | 79 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM | ||
| Po zarostlém chodníčku, JW VIII/17, Book I: No. 1, Naše večery | Leoš Janáček, Cathy Krier | A♭ Minor | 0 | 1A | 137 BPM | ||
| Vier Lieder für das Pianoforte, Op. 8: No. 4, Wanderlied. Presto H. 458 | Fanny Mendelssohn, Olga Pashchenko | G Minor | 1 | 6A | 91 BPM | ||
| Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
| Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | ||
| Divertimento: II. Lento | Leo Smit, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
| 5 Lieder, Op. 48, TrV 202: No. 1, Freundliche Vision (Arr. Gieseking) | Richard Strauss, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Symphony in F-Sharp Minor, Op. 41: III. Scherzo. Molto allegro | Dora Pejačević, BBC Symphony Orchestra, Sakari Oramo | D Major | 1 | 10B | 122 BPM | ||
| Décalogue IX, tu ne convoiteras pas la femme d'autrui: XIII. Pt. 13 | Zbigniew Preisner, Jeroen van Veen | G Minor | 0 | 6A | 70 BPM | ||
| Three Postludes, Op. 64 (To Arvo Pärt): II. Vivace | Valentin Silvestrov, Alexei Lubimov | A♭ Major | 0 | 4B | 67 BPM | ||
| 12 Romances, Op. 21: No. 5: Lilacs (Version for Piano Solo) | Sergei Rachmaninoff, Carmen Stefanescu | A♭ Major | 0 | 4B | 71 BPM | ||
| 8 Nocturnes, Op. 368: No. 7, Moderato | Carl Czerny, Roberte Mamou | B Minor | 0 | 10A | 99 BPM | ||
| Soirees musicales, Op. 6: III. Mazurka | Clara Schumann, Yoshiko Iwai | C Major | 0 | 8B | 66 BPM | ||
| Kabalevsky: 30 Pieces for Children, Op. 27: No. 6, A Sad Story | Dmitry Kabalevsky, Georges Pludermacher | F Minor | 1 | 4A | 105 BPM | ||
| Liadov : 3 Preludes Op.57 : No.1 in D flat major | Anatoly Lyadov, Boris Berezovsky | D♭ Major | 0 | 3B | 80 BPM | ||
| 12 Ländler, Op. 2: No. 3, Andantino | Maria Herz, Aude St-Pierre | G Major | 0 | 9B | 94 BPM | ||
| 24 Preludes, Op. 11: No. 10 in C-Sharp Minor - Andante | Alexander Scriabin, Mao Fujita | F Major | 1 | 7B | 149 BPM | ||
| 6 Consolations, S.172: No. 4, Quasi Algido | Franz Liszt, Saskia Giorgini | D♭ Major | 0 | 3B | 102 BPM | ||
| Kinderszenen - Op. 15, Träumerei (Marzenie), sceny dziecięce | Robert Schumann, Mieczysław Horszowski | C Major | 4 | 8B | 121 BPM | ||
| Allegro molto vivace ma con sentimento, in E-Flat Major | Fanny Mendelssohn, Beatrice Rauchs | E♭ Major | 2 | 5B | 115 BPM | ||
| Phoebée, Op. 30 | Mel Bonis, Maria Stembolskaya | E♭ Major | 0 | 5B | 68 BPM | ||
| Variations on the Theme by Robert Schumann, Op. 9: Var. 8. Andante (non troppo lento) | Johannes Brahms, Anastasiya Evsina | D♭ Major | 1 | 3B | 111 BPM | ||
| Lullaby for Piano | Richard Danielpour, Stefano Greco | D Minor | 0 | 7A | 66 BPM |