"Should They Be Born?" by Sarah Warne had its release date on January 1, 1900. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sarah Warne's "Humans Series 2 & 3 (Original Television Soundtrack)" album is number 4 out of 34. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Should They Be Born?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Should They Be Born? by Sarah Warne to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Licisca's Lament | Ruth Barrett | D Major | 3 | 10B | 91 BPM | ||
| Transmita | Klahman | B Minor | 2 | 10A | 100 BPM | ||
| Nuremberg Suite Part II - Resistance | Brian Tyler | A Minor | 3 | 8A | 86 BPM | ||
| Scars | Fred Bouchal | A Minor | 2 | 8A | 84 BPM | ||
| Load Up The Trades | Martin Phipps | A Minor | 2 | 8A | 84 BPM | ||
| Backpack (Strings Version) | Ben Salisbury, Geoff Barrow | A Major | 1 | 11B | 77 BPM | ||
| Transactional | Andrew Lockington | A Minor | 3 | 8A | 73 BPM | ||
| Bad Tradecraft | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Goddess | Behruz Qarayev, Bixpat | B♭ Minor | 3 | 3A | 135 BPM | ||
| Kremlin Lie | Marcelo Zarvos | A Minor | 2 | 8A | 135 BPM | ||
| An Alien World | Pinar Toprak, Emir Isilay | B♭ Minor | 3 | 3A | 100 BPM | ||
| The Shining Truth | Luke Richards | A Minor | 4 | 8A | 75 BPM | ||
| Stars | Parviz Babayev, Puzriko | D♭ Minor | 2 | 12A | 73 BPM | ||
| The Border | Emilie Levienaise-Farrouch | E♭ Minor | 2 | 2A | 67 BPM | ||
| Should They Be Born? | Sarah Warne | E Minor | 2 | 9A | 145 BPM | ||
| The Path Ahead | Chris Roe | E Minor | 1 | 9A | 100 BPM | ||
| In the Night | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
| Becoming Reenie | Sarah Warne | A Minor | 2 | 8A | 65 BPM | ||
| Dreamscape | KAPOSK | C Major | 0 | 8B | 188 BPM | ||
| Creer En El Espacio | Hasta El Final | B Minor | 1 | 10A | 110 BPM | ||
| It's About Beauty | Anne Nikitin | A Minor | 1 | 8A | 73 BPM | ||
| Te Deseo | flechero | D Major | 0 | 10B | 86 BPM | ||
| Green Gables | Danny Bensi and Saunder Jurriaans, Chase Deso | D Minor | 1 | 7A | 132 BPM | ||
| Secret Agent | Edward Farmer, Martin Phipps | F Minor | 4 | 4A | 90 BPM | ||
| Spycraft 101 | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM |