Raghunath Manet's ' "Naan Oru Vilaiyattu" was released on its scheduled release date, January 1, 1999. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Puduvai Ragam". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. The popularity of Naan Oru Vilaiyattu is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Naan Oru Vilaiyattu by Raghunath Manet having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunand Bhairav - Aalap | Milind Date | A Minor | 1 | 8A | 77 BPM | ||
| Tani avartanam | Raghunath Manet, Umayalpuram K. Sivaraman | D Major | 8 | 10B | 179 BPM | ||
| Akilandeshwari (Instumental) | Durai Srinivasan | F♯ Major | 4 | 2B | 123 BPM | ||
| Nayaganaai Nindra | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Rangapura Vihara (Instrumental) | Phani Narayana | D Minor | 4 | 7A | 102 BPM | ||
| Yaman Gat in Jhap Tala Madhya Laya - Sitar & Tabla Duet | Sushmita Roy | A Major | 3 | 11B | 142 BPM | ||
| Drut Gat In Teentaal-16 Beat Cycle | Shivkumar Sharma | D Major | 5 | 10B | 99 BPM | ||
| ARUL PERUM JOTHI | Aldo Brizzi, Raghunath Manet | D♭ Major | 2 | 3B | 96 BPM | ||
| Kaakkai Siraginile | Rajhesh Vaidhya | D Minor | 3 | 7A | 110 BPM | ||
| Sri Chakra Raja | Rajhesh Vaidhya | A♭ Major | 9 | 4B | 155 BPM | ||
| Chinnanchiru Kiliye | Phani Narayana | D Major | 4 | 10B | 136 BPM | ||
| Srinivasa: Hamsanandi - Papanasam Sivan | Papanasam Sivan, N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Raga Varali / "Ne pogoda kunte" - Thyagaraja: Tala - Khanda Chapu | Sundaram Balachander, K.R. Ganesh, Palghat Sundaram, S.B.S. Raman | E♭ Major | 2 | 5B | 141 BPM | ||
| Sri Kamakshi Stotram | Ranjani-Gayatri | B Major | 2 | 1B | 99 BPM | ||
| Thillana | Raghunath Manet | A♭ Minor | 4 | 1A | 98 BPM | ||
| Sree Mahaganapathim | Kunnakudi Vaidyanathan | E Major | 5 | 12B | 96 BPM | ||
| Hamir Kalyani (Violin Solo) | Apoorva Krishna | E Major | 6 | 12B | 156 BPM | ||
| Bhajare Gopalam | N. Ramani | E♭ Minor | 2 | 2A | 169 BPM | ||
| Narayana | Sangeetha Sivakumar | F♯ Major | 4 | 2B | 88 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Kamod | Buddhadev DasGupta | F Major | 5 | 7B | 168 BPM | ||
| Thillana (Lalgudi) | Lalgudi G. Jayaraman | B♭ Major | 3 | 6B | 119 BPM | ||
| Thillana (Raga Paras, Aadi Tala) | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | B♭ Minor | 5 | 3A | 105 BPM | ||
| Raga Kedar, Gat In Ektaal | Shivkumar Sharma & Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Thumani Madatthu - Hamirkalyani - Adi | Ranjani-Gayatri | G Major | 5 | 9B | 91 BPM |