Craig Armstrong's 'Theme From Orphans' had a release date set for 2004. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Piano Works". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Theme From Orphans is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Theme From Orphans by Craig Armstrong having a BPM of 201 with a half-time of 100 BPM and a double-time of 402 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby Blue - From "Our Planet" | Steven Price | C Major | 2 | 8B | 59 BPM | ||
| Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| I Will Come for You | David Hirschfelder | F Major | 3 | 7B | 89 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Paris | Craig Armstrong | B Major | 1 | 1B | 73 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Trunk Greeting | Alex Heffes | E♭ Major | 0 | 5B | 51 BPM | ||
| Goodbye Old Friend | David Hirschfelder | F Major | 0 | 7B | 72 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Bloomsbury | Amelia Warner | C Major | 1 | 8B | 81 BPM | ||
| The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| The End | Carter Burwell | C Minor | 2 | 5A | 102 BPM | ||
| Opening Titles | The Cinematic Orchestra, London Metropolitan Orchestra | A♭ Minor | 2 | 1A | 150 BPM | ||
| A Place to Stay | Guy Farley | B♭ Major | 0 | 6B | 102 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Octopus Joy | Kevin Smuts | A♭ Major | 0 | 4B | 71 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| Justice | Patrick Doyle | D Major | 2 | 10B | 140 BPM |