Libby Holman's 'You and the Night and the Music' had a release date set for 2005. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. You and the Night and the Music's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Something to Remember Her By". In this album, this song's track order is #18. You and the Night and the Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With You and the Night and the Music by Libby Holman having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mood Indigo | Garland Wilson | B♭ Major | 3 | 6B | 113 BPM | ||
| Bearcat Stomp | The Savoy Bearcats | F Major | 3 | 7B | 129 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| Mandy | Ozzie Nelson and His Orchestra | D Major | 3 | 10B | 80 BPM | ||
| My Sweetie Went Away | The Rhythm Rascals, Sid Phillips, Swing Rhythm Boys | B♭ Major | 4 | 6B | 183 BPM | ||
| Find Me a Primitive Man (feat. the Colonial Club Orchestra) | Libby Holman, The Colonial Club Orchestra | E♭ Major | 2 | 5B | 165 BPM | ||
| Go Back Where You Stayed Last Night - What's Good For The Goose | Ethel Waters | A♭ Major | 2 | 4B | 122 BPM | ||
| You've Got Me Out On a Limb | Charlie Barnet | D Major | 3 | 10B | 132 BPM | ||
| Gone With the Wind | Horace Heidt & His Musical Knights, Larry Cotton | E♭ Major | 2 | 5B | 140 BPM | ||
| Dew Dew Dewey Day | Nat Shilkret, The Victor Orchestra | F Major | 3 | 7B | 206 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Georgia On My Mind (feat. Bix Beiderbecke) | Hoagy Carmichael & His Orchestra, Bix Beiderbecke | B♭ Major | 2 | 6B | 104 BPM | ||
| Poor Papa (Recorded February 1926) | Dolly Kay | C Major | 1 | 8B | 134 BPM | ||
| I'm Wondering Who | Bix Beiderbecke | A♭ Major | 3 | 4B | 90 BPM | ||
| About a Quarter to Nine - From Paper Moon | Ozzie Nelson & His Orchestra | B♭ Major | 6 | 6B | 113 BPM | ||
| Monday Morning | Teddy Grace, Jack Teagarden | F Major | 1 | 7B | 114 BPM | ||
| Yes, Yes (My Baby Said Yes) | Ambrose & His Orchestra | D♭ Major | 4 | 3B | 204 BPM | ||
| As Time Goes By | Rudy Vallee | D♭ Major | 1 | 3B | 72 BPM | ||
| My Sweetest Dream | Wright-Denman, Jimmy Miller, Mrs. Jack Hylton | D Major | 3 | 10B | 123 BPM | ||
| The Parlor Is a Pleasant Place to Sit on Sunday Night | Frank Crumit | E♭ Major | 3 | 5B | 81 BPM | ||
| I Ain't Got Nobody | Ruth Etting | E♭ Major | 3 | 5B | 81 BPM | ||
| No Foolin (Recorded 1926) | The Revelers | E♭ Major | 2 | 5B | 122 BPM | ||
| Red Headed Baby | Dick Robertson & Gene Kardos Orchestra | E♭ Minor | 4 | 2A | 112 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM |