"Adeste fidelis: Adeste fideles" by John Francis Wade, Regensburger Domspatzen, Roland Buechner had its release date on January 1, 1998. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Adeste fidelis: Adeste fideles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 22 in Christmas Choral Concert: Regensburg Cathedral Choir - Lutzel, J.H. / Pachelbel, J. / Handl, J. / Rheinberger, J.G. / Brahms, J. / Britten, B. by Roland Buechner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Adeste fidelis: Adeste fideles is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adeste fidelis: Adeste fideles by John Francis Wade, Regensburger Domspatzen, Roland Buechner is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Holly & The Ivy | Anonymous, The Choir of Royal Holloway | C Minor | 2 | 5A | 87 BPM | ||
| Schlafʼ, mein Kindelein | Max Reger, Regensburger Domspatzen, Roland Büchner | F Major | 1 | 7B | 91 BPM | ||
| Es ist ein Ros' entsprungen | The King's Singers | E♭ Major | 0 | 5B | 94 BPM | ||
| Adeste Fideles (O come, all ye faithful) | John Francis Wade, Dame Joan Sutherland, Ambrosian Singers, New Philharmonia Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 0 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Knabenchor Hannover, Jorg Breiding | D Major | 1 | 10B | 131 BPM | ||
| O Jesulein zart | Samuel Scheidt, Regensburger Domspatzen, Georg Ratzinger | D♭ Major | 1 | 3B | 85 BPM | ||
| Über's Gebirg Maria geht | Johannes Eccard, RIAS Kammerchor, Hans-Christoph Rademann | B♭ Major | 1 | 6B | 104 BPM | ||
| Cafetin De Buenos Aires: In The Bleak Midwinter | Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Enrique Santos Discépolo, Mariano Mores | F Major | 0 | 7B | 169 BPM | ||
| Hallelujah Chorus | Voces8 | D Major | 5 | 10B | 105 BPM | ||
| Von guten Mächten treu und still ergeben - NGL 276 | Siegfried Fietz, Rundfunkchor Berlin, Maria Todtenhaupt, Jörg Strodthoff, Simon Halsey | G Major | 2 | 9B | 66 BPM | ||
| O Come, All Ye Faithful (Arr. Taylor Scott Davis) | John Francis Wade, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | B♭ Major | 4 | 6B | 110 BPM | ||
| O magnum mysterium | Morten Lauridsen, Regensburger Domspatzen, Roland Büchner | D Major | 1 | 10B | 130 BPM | ||
| Machet die Tore weit | Andreas Hammerschmidt, Hans-Joachim Rotzsch, Leipzig Thomaner Choir | C Major | 1 | 8B | 98 BPM | ||
| O du stille Zeit (Arr. M. Schmidl) | Cesar Bresgen, Singer Pur | F Major | 0 | 7B | 88 BPM | ||
| Laßt Uns Lauschen | Dresdner Kreuzchor | B♭ Major | 2 | 6B | 105 BPM | ||
| Es ist ein Ros entsprungen | Michael Praetorius, Voces8 | E Major | 0 | 12B | 129 BPM | ||
| Oh du fröhliche | Fischer Chöre | D Major | 3 | 10B | 138 BPM | ||
| O Holy Night | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | E♭ Major | 3 | 5B | 170 BPM | ||
| Es kommt ein Schiff geladen | Kammerchor der Humboldt-Universität zu Berlin | F Minor | 1 | 4A | 87 BPM | ||
| In the Bleak Midwinter | Gustav Holst, The Choir Of St John's College, Oxford, David Bannister | F Major | 0 | 7B | 129 BPM | ||
| The First Nowell | Cathedral Choir, Sal Soria | B♭ Major | 1 | 6B | 115 BPM | ||
| Gloria in exelsis Deo | George Frideric Handel, Barocktrompeten Ensemble Berlin, Johann Plietzsch | C Major | 2 | 8B | 115 BPM | ||
| Go Tell It on the Mountain | Stellenbosch University Choir | E Major | 1 | 12B | 124 BPM | ||
| Christmas Oratorio, BWV 248 / Part One - For The First Day Of Christmas: No. 1 Chorus: "Jauchzet, frohlocket" | Johann Sebastian Bach, Regensburger Domspatzen, Collegium St. Emmeram, Hanns-Martin Schneidt, Georg Ratzinger | A♭ Major | 1 | 4B | 113 BPM | ||
| Adeste Fideles | Helene Fischer | C Major | 3 | 8B | 173 BPM |