"Cafetin De Buenos Aires: In The Bleak Midwinter" by Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Enrique Santos Discépolo, Mariano Mores had its release date on October 29, 1993. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 20 in Christmas Carols by Worcester Cathedral Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Cafetin De Buenos Aires: In The Bleak Midwinter is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cafetin De Buenos Aires: In The Bleak Midwinter by Worcester Cathedral Choir, Raymond Johnston, Robert Stringer, Enrique Santos Discépolo, Mariano Mores is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lamb | William Blake, John Tavener, Choir of King's College, Cambridge, Stephen Cleobury | E Minor | 0 | 9A | 66 BPM | ||
| Adeste fideles (Arr. for Choir & Orchestra by Alice Parker) - Remastered 2023 | John Francis Wade, Atlanta Symphony Orchestra, Robert Shaw | B♭ Major | 0 | 6B | 60 BPM | ||
| Oh, Come, All Ye Faithful (Arr. D. Forrest) - Live | John Francis Wade, BYU Combined Choirs, BYU Philharmonic Orchestra, Kory Katseanes | C Major | 3 | 8B | 96 BPM | ||
| The Lamb | John Taverner, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Major | 1 | 3B | 76 BPM | ||
| Gabriel's Message | VOCES8 | B♭ Minor | 2 | 3A | 69 BPM | ||
| Magnificat: IV. Deposuit (Version for Full Orchestra) | Taylor Scott Davis, Voces8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | G Major | 2 | 9B | 125 BPM | ||
| In Dulci Jubilo | King's College Choir | G Major | 1 | 9B | 75 BPM | ||
| O, Holy Night | Adolphe Adam, The Tabernacle Choir at Temple Square, Richard P. Condie | E♭ Major | 2 | 5B | 77 BPM | ||
| Jesus Christ the Apple Tree | Elizabeth Poston, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 91 BPM | ||
| Ding! Dong! Merrily On High | Guildford Cathedral Choir | B♭ Major | 2 | 6B | 165 BPM | ||
| The First Noel | BYU Combined Choirs, BYU Philharmonic Orchestra | D Major | 2 | 10B | 79 BPM | ||
| Herefordshire Carol (Arr. Ralph Vaughan Williams) | English Traditional, Choir of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 100 BPM | ||
| Wexford Carol | Robert Prizeman, Traditional, Libera | B♭ Major | 2 | 6B | 127 BPM | ||
| And there were shepherds | Johann Sebastian Bach, Worcester Cathedral Choir, Fine Arts Brass Ensemble, Adrian Lucas | G Major | 1 | 9B | 84 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| Heyr, himna smiður | Härlanda Chamber Choir, David Molin | F Minor | 1 | 4A | 71 BPM | ||
| Bogoroditse Djevo | Sergei Rachmaninoff, The Choral Project | B Minor | 1 | 10A | 95 BPM | ||
| The Day Thou Gavest, Lord, Is Ended | Clement Cotterill Scholefield, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| The First Noel | The Oxford Trinity Choir | D Major | 2 | 10B | 97 BPM | ||
| Lully, Lulla, Lullay | Philip Stopford, St. Paul's Cathedral Choir, Andrew Carwood | A♭ Major | 1 | 4B | 79 BPM | ||
| O Come, All Ye Faithful | Cathedral Choir, Sal Soria | C Major | 4 | 8B | 104 BPM | ||
| Gabriel's Message (Arr. Clements) | Traditional, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | B♭ Major | 4 | 6B | 110 BPM | ||
| Hush You, My Baby | William Llewellyn, Donald Hunt, Worcester Cathedral Choir | E Major | 0 | 12B | 75 BPM | ||
| O Come, All Ye Faithful (Arr. Sir David Willcocks) | John Francis Wade, Daniel Hyde, Choir of King's College, Cambridge, Britten Sinfonia | G Major | 2 | 9B | 84 BPM | ||
| Angels We Have Heard On High | The Tabernacle Choir at Temple Square | C Major | 4 | 8B | 116 BPM |