Ingram Washington's ' "Gee Baby - Ain't I Good To You" was released on its scheduled release date, January 1, 1999. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sings To the Max". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gee Baby - Ain't I Good To You's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gee Baby - Ain't I Good To You by Ingram Washington having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Happy Together | Christy Baron | A Minor | 2 | 8A | 115 BPM | ||
| But beautiful | Inger Marie Gundersen | G Major | 1 | 9B | 111 BPM | ||
| Taking a Chance on Love (with Biréli Lagrène Gipsy Project) | Sara Lazarus | G Major | 3 | 9B | 113 BPM | ||
| The Masquerade Is Over | Blue Martini Jazz | C Minor | 2 | 5A | 88 BPM | ||
| When I Close My Eyes | Mary Stallings | D Major | 1 | 10B | 107 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM | ||
| Sunday Kind Of Love | Diane Schuur | F Minor | 3 | 4A | 101 BPM | ||
| My Baby Just Cares for Me | Friend 'N Fellow | A Major | 3 | 11B | 128 BPM | ||
| Song to Comfort | Marie Mørck | F Major | 1 | 7B | 118 BPM | ||
| Cry Me a River | Jacintha | E♭ Minor | 2 | 2A | 198 BPM | ||
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| He Ain’t Heavy, He’s My Brother | Ida Sand | A♭ Major | 4 | 4B | 77 BPM | ||
| Ain't No Sunshine | Jacqui Naylor | A Minor | 5 | 8A | 123 BPM | ||
| Gentle Rain | Kandace Springs, Chris Potter | G Minor | 3 | 6A | 100 BPM | ||
| Here's to Life | Liane Carroll | D♭ Major | 5 | 3B | 138 BPM | ||
| These Foolish Things | Claire Martin | D Major | 2 | 10B | 130 BPM | ||
| Girl Talk | Moon haewon, Tsuyoshi Yamamoto | A♭ Major | 3 | 4B | 205 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| One for My Baby - And One More for the Road | Jacintha | B♭ Major | 2 | 6B | 125 BPM | ||
| I Left My Heart in San Francisco | Jean Frye Sidwell | F Major | 1 | 7B | 108 BPM | ||
| The Very Thought of You | Nnenna Freelon | E♭ Major | 1 | 5B | 91 BPM | ||
| A Sunday Kind Of Love | Ruth Cameron | C Minor | 2 | 5A | 126 BPM | ||
| Bewitched, Bothered and Bewildered | Johanna Linnea Jakobsson | F Major | 1 | 7B | 97 BPM | ||
| New York State Of Mind | 綾戸智恵 | A Minor | 3 | 8A | 82 BPM | ||
| Blusette | Ann Hampton Callaway | A♭ Major | 4 | 4B | 99 BPM |