Igor Stravinsky, Leonard Bernstein's ' "Octet for Wind Instruments: III. Finale" was released on its scheduled release date, 1947. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Octet for Wind Instruments: III. Finale is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Octet for Wind Instruments: III. Finale by Igor Stravinsky, Leonard Bernstein is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colas Breugnon Overture, Op. 24 | Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic | F Major | 3 | 7B | 136 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
| Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
| Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 2 | 4B | 131 BPM | ||
| Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
| Symphony No.7 In E Major - Ed. Haas: 4. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 117 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 0 BPM | ||
| L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | B Minor | 1 | 10A | 100 BPM | ||
| Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): IX. The Hut on Chicken's Legs | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | G Major | 2 | 9B | 166 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
| Symphony No. 4 in G Major: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Concerto for Horn and Orchestra, Op. 91: II. Andante | Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins | E♭ Major | 0 | 5B | 133 BPM | ||
| Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |