"Oh mio Fernando (La Favorita)" by Rise Stevens had its release date on August 24, 2006. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rise Stevens's "Lebendige Vergangenheit - Risë Stevens" album is number 5 out of 15. In terms of popularity, Oh mio Fernando (La Favorita) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Oh mio Fernando (La Favorita) by Rise Stevens to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Linda di Chamonix: O luce di quest' anima | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 2 | 7B | 114 BPM | ||
| Je suis Escamillo, toréro de Grenade! (Carmen) | Robert Merrill, George Cehanovsky, RCA Victor Orchestra, Jan Peerce, Rise Stevens | D♭ Major | 3 | 3B | 81 BPM | ||
| Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
| Mignon: Ce pays enchanté n'est-ce pas l'Italie? | Ambroise Thomas, James Melton, Rise Stevens, John Gurney, Ezio Pinza, Wilfrid Pelletier | D♭ Major | 9 | 3B | 80 BPM | ||
| Gounod: Faust, Act 3: "Un bouquet !" - Air des bijoux. "Dieu ! Que de bijoux !" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Bellini: I puritani: "Ad Arturo onore" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Offenbach: La belle Hélène, Act 1: No. 2a, Couplets, "Amours divins! Ardentes flammes!" (Hélène, Chorus) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Choeur des Musiciens du Louvre, Les Musiciens du Louvre.Grenoble | G Major | 1 | 9B | 97 BPM | ||
| Carmen: Tra, la la, la, la, la . . . Coupe-moi, brûle-moi | Georges Bizet, Rise Stevens, Osie Hawkins, Richard Tucker, Fritz Reiner | F♯ Major | 3 | 2B | 132 BPM | ||
| Flow Gently, Sweet Afton (Old Scotch Melody) | Traditional, Rise Stevens | F Major | 1 | 7B | 74 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Les Contes d'Hoffmann: Hélas! Mon coeur s'égare encore! | Jacques Offenbach, Richard Tucker, Martial Singher, Rise Stevens, Mildred Miller, Clifford Harvuot, Alessio De Paolis, Pierre Monteux | B♭ Major | 3 | 6B | 130 BPM | ||
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| I puritani, Act II: O rendetemi la speme... Qui la voce sua soave | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 96 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | D Major | 2 | 10B | 85 BPM | ||
| Lecuona: María la O: "Mulata infeliz" | Lisette Oropesa | E♭ Major | 2 | 5B | 94 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Recitativo: "Euridice, Euridice" | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra, Rise Stevens | C Minor | 2 | 5A | 168 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Francisco Araiza, Peter Menzel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | D Major | 1 | 10B | 125 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Lucia di Lammermoor / Act 1: Regnava nel silenzio | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | A Minor | 1 | 8A | 169 BPM | ||
| Orfeo ed Euridice, Wq. 30: Act I: Aria: "Cerco il mio ben così" (cont.) | Christoph Willibald Gluck, Pierre Monteux, Rome Opera Orchestra | D♭ Major | 2 | 3B | 82 BPM | ||
| Mignon: Corbleu! Les somptueux lambris! . . . Belle, ayez pitié de nous | Ambroise Thomas, Donald Dame, Mimi Benzell, James Melton, Rise Stevens, Wilfrid Pelletier | A Major | 4 | 11B | 92 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Non so più (Le nozze di Figaro) | Rise Stevens | E♭ Major | 2 | 5B | 74 BPM |