On 1929, the song "I want to be bad" was released by Helen Kane. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Helen Kane's "Helen Kane as Betty Boop" album is number 7 out of 17. On top of that, France appears to be the country where this track was created. The popularity of I want to be bad is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I want to be bad by Helen Kane to be Presto (very, very fast) because the track has a tempo of 199 BPM, a half-time of 100BPM, and a double-time of 398 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brother, Can You Spare a Dime? | Rudy Vallee and His Connecticut Yankees | E♭ Major | 2 | 5B | 115 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| Hello My Baby, Hello My Honey | Keefe Brasselle | F Major | 3 | 7B | 175 BPM | ||
| I Don't Love Nobody | Virginia Liston | C Minor | 1 | 5A | 105 BPM | ||
| It All Depends On You | Annette Hanshaw | B♭ Major | 2 | 6B | 95 BPM | ||
| Russian Lullaby | Roger Wolfe Kahn & His Orchestra | F♯ Minor | 2 | 11A | 127 BPM | ||
| Teddy Bear's Picnic | Henry Hall, The BBC Dance Orchestra | E♭ Major | 2 | 5B | 115 BPM | ||
| We Can't Sing Rhythm and Blues | Patience & Prudence, Mark McIntyre Orchestra | E♭ Major | 2 | 5B | 115 BPM | ||
| Would You Like to Take a Walk | Annette Hanshaw | F♯ Major | 3 | 2B | 116 BPM | ||
| He'd Rather Be A Girl | Ruth Wallis | B♭ Major | 3 | 6B | 140 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| Makin' Whoopee | Eddie Cantor | E♭ Major | 2 | 5B | 115 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | E♭ Major | 2 | 5B | 115 BPM | ||
| The Pop-Up Song | Ruth Wallis | E♭ Major | 2 | 5B | 111 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Lady Loves - From I Love Melvin, 1953 | Debbie Reynolds | C Major | 4 | 8B | 135 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | E♭ Major | 2 | 5B | 115 BPM | ||
| All Alone Monday (Recorded October 1926) | Esther Walker | E♭ Major | 1 | 5B | 172 BPM | ||
| Heartaches | Eddy Howard | E♭ Major | 2 | 5B | 115 BPM | ||
| Lovable and Sweet | Annette Hanshaw | G Major | 3 | 9B | 175 BPM | ||
| Whispering - Alternate Take | Paul Whiteman & His Orchestra | E♭ Major | 2 | 5B | 115 BPM | ||
| You're Driving Me Crazy | Guy Lombardo & His Royal Canadians | E♭ Major | 2 | 5B | 115 BPM | ||
| Stormy Weather - Alternate Take | Ethel Waters | E♭ Major | 2 | 5B | 115 BPM | ||
| There's a House in Harlem for Sale (Original Mix) | Buster Bailey | D Minor | 3 | 7A | 99 BPM | ||
| I want to be bad | Helen Kane | E Minor | 3 | 9A | 199 BPM |