Carl Millöcker, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke's 'Der Bettelstudent, Act II: Heidahi! Heidaha!' had a release date set for September 1, 2014. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Der Bettelstudent, Act II: Heidahi! Heidaha!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Millöcker, Werner Schmidt-Boelcke's "Millocker: Der Bettelstudent" album is number 13 out of 46. On top of that, United States appears to be the country where this track was created. In terms of popularity, Der Bettelstudent, Act II: Heidahi! Heidaha! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Bettelstudent, Act II: Heidahi! Heidaha! by Carl Millöcker, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ein Walzertraum: Leise, ganz leise klingt's durch den Raum | Oscar Straus, Rudolf Schock, Robert Stolz | F Major | 4 | 7B | 89 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| Der Zigeunerbaron, IJS 486: Wer uns getraut | Johann Strauss II, Rudolf Schock, Erzebeth Hazy, Robert Stolz | D Major | 3 | 10B | 100 BPM | ||
| Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
| Les Patineurs: Pas des patineurs | Giacomo Meyerbeer, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 203 BPM | ||
| Don Carlos, Act I: Dio, che nell'alma infondere | Giuseppe Verdi, José Carreras, Piero Cappuccilli, Luigi Roni, Vienna State Opera Chorus, Orchester der Wiener Staatsoper, Herbert von Karajan | C Major | 4 | 8B | 145 BPM | ||
| Grand Vals | Charlotte Guldberg, Hans Nielsen | C Major | 3 | 8B | 170 BPM | ||
| Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Shattered Echoes | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Hänsel und Gretel: Children's Prayer - Instrumental | Engelbert Humperdinck, Andre Kostelanetz, New York Philharmonic, Andre Kostelanetz & His Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Wagner: Tannhäuser, Act 2: "O Himmel! Laß dich jetzt erflehen!" (Wolfram, Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | A Minor | 1 | 8A | 99 BPM | ||
| Snow White: XIV. Prince’s Cavalcade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
| Gounod: Roméo et Juliette, Act 1: Introduction. "L'heure s'envole" (Chœur) | Charles Gounod, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Der Bettelstudent: Ich knüpfte manche zarte Bande | Carl Millöcker, Fritz Wunderlich, Alois Melichar | G Major | 2 | 9B | 86 BPM | ||
| Gasparone: "Tarantella" | Carl Millöcker, Grosses Operetten Orchester, Franz Marszalek, Willy Schneider, Willy Hofman, Sandor Konya, Herta Talmar, Rita Bartos | G Minor | 0 | 6A | 174 BPM | ||
| Die Dubarry - operetta: Reisen wir durch's Liebesland | Carl Millöcker, Rita Bartos, Ingeborg Hallstein, Peter-René Körner, Gunter Kallmann Choir, Orchester Franz Marszalek, Franz Marszalek | G Major | 3 | 9B | 132 BPM | ||
| Fächer - polonaise Op. 525 - Arr. Max Schoenherr | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 93 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM |