On October 8, 1998, the song "Ae Dinanath Kat Dukhiya Hum Bani" was released by Bijli Rani. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 6 out of 10 in Arag Ke Bera by Bijli Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ae Dinanath Kat Dukhiya Hum Bani's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ae Dinanath Kat Dukhiya Hum Bani by Bijli Rani is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saiyan Darubaaj Ho Gayil | Bijli Rani | D♭ Major | 5 | 3B | 126 BPM | ||
| Lale Rang Sadiya Shobhe | Pandit Gaurangi Gauri Ji | F Minor | 8 | 4A | 133 BPM | ||
| Bhanwarwa Ke Tohra Sang Jaayi | MANOJ TIWARI | F♯ Major | 5 | 2B | 156 BPM | ||
| Pedvo Ke Saath Chhod Dela Patiyaa | Radhe Shyam Rasiya | E♭ Minor | 7 | 2A | 167 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Jogan Kare Janiyro Minna | Fozia Soomro | B♭ Major | 6 | 6B | 81 BPM | ||
| Beetal Jaataa Mile Ke | Vishnu Ojha | A Major | 5 | 11B | 150 BPM | ||
| Allah Kari Ahri Jae Ti | Fozia Soomro | D♭ Major | 5 | 3B | 126 BPM | ||
| Tu Karant Mare Chhi | Madhav Rai | B♭ Minor | 8 | 3A | 110 BPM | ||
| Gawana Jhoote Kaike Leaail | Madan Rai | F♯ Major | 5 | 2B | 111 BPM | ||
| Aage Peechhe Se Rangwala | Radhe Shyam Rasiya, Khushboo Jain, Shubha Mishra | B Minor | 8 | 10A | 85 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| Murli Kyo Bajaye | Halke Ram Kushwah, Jyoti Kushvah | D♭ Minor | 9 | 12A | 130 BPM | ||
| Paakava Inaarava Na A Batohni | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | E Major | 9 | 12B | 113 BPM | ||
| Sahar Siwan Mein Ho Jaai Maar | Radhe Shyam Rasiya | G Minor | 7 | 6A | 76 BPM | ||
| Dahej Deke Kinale Bani | Karina Pandey, Sovita Pandey, Hema Pandey | A♭ Major | 9 | 4B | 94 BPM | ||
| Dhadhak Dhinakdhin | MANOJ TIWARI, Bela Sulakhe, Rekha Rao, Sumeet Baba | C Major | 5 | 8B | 97 BPM | ||
| Mere Jaisa Ladaka Dekha | Jaysingh raja, Doli Rajpoot | F♯ Major | 5 | 2B | 176 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Saji Lagli Dulhan Dekho | Prem Kumar, Tripti Shakya, Bijli Rani | A♭ Major | 6 | 4B | 90 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Joda Shaalik Dekha Bhaal | Parikshit Bala | A Minor | 6 | 8A | 172 BPM | ||
| Jab Se Tu Ne Mujhe Deewana | Maratab Ali | F Minor | 2 | 4A | 145 BPM |