Farrell VernonILarry Ford's 'Suite for Sopranino Saxophone and Percussion: Intrada' had a release date set for December 15, 2007. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Suite for Sopranino Saxophone and Percussion: Intrada's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Forgotten Saxophone: New Music For The Sopranino". In this album, this song's track order is #6. In terms of popularity, Suite for Sopranino Saxophone and Percussion: Intrada is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite for Sopranino Saxophone and Percussion: Intrada by Farrell VernonILarry Ford having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
| John Adams Road Movies III 40 Percent Swing | Frank Cassara, Helen Lin | D Major | 3 | 10B | 154 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Críptico No. 9 | Iván Enrique Rodríguez, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | ||
| Sonate, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | D Major | 0 | 10B | 169 BPM | ||
| Tuba Suite: II. Andante espressivo | Don Haddad, David Zerkel, Paolo Andre Gualdi | B♭ Minor | 3 | 3A | 79 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Suite for Sopranino Saxophone and Percussion: View Scape | Farrell VernonILarry Ford | A♭ Minor | 0 | 1A | 145 BPM | ||
| Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Pulcinella, K 034: VIII. Minuetto | Igor Stravinsky, Orquestra De Cambra Teatre Lliure, Josep Pons | C Minor | 0 | 5A | 77 BPM | ||
| After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
| Syrinx (Arr. J.M. Londeix) | Claude Debussy, Gerard McChrystal | E Minor | 3 | 9A | 164 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | D♭ Major | 2 | 3B | 140 BPM | ||
| III. With gaiety | Paul Creston, Donald Sinta, Nelita True | D Major | 2 | 10B | 140 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Dance Preludes for Clarinet and Piano: No. 2, Andantino | Witold Lutosławski, Anastasia Schmidlin, Denis Zhdanov | B♭ Minor | 0 | 3A | 133 BPM | ||
| Nielsen: Wind Quintet, Op. 43: I. Allegro ben moderato | Carl Nielsen, Emmanuel Pahud, Sabine Meyer, Jonathan Kelly, Stefan Schweigert, Radek Baborák | B Minor | 0 | 10A | 90 BPM | ||
| Concertino für Tuba und Klavier: II. Langsam | Joseph Bartz, Hans Tönnies | D♭ Major | 0 | 3B | 115 BPM | ||
| Joutsen | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | E Major | 1 | 12B | 53 BPM |