Nikolay Rakov, Whitefeather Productions's ' "Plie" was released on its scheduled release date, January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Whitefeather Productions's "In Step - Advanced Ballet Music For The Final Years" album is number 1 out of 30. On top of that, United States appears to be the country where this track was created. Plie is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Plie by Nikolay Rakov, Whitefeather Productions to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 73 BPM | ||
| Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
| Clair de Lune für Violine und Klavier: Andante trés expressif | Claude Debussy, Philipp Jonas, Maximilian Schairer | D♭ Major | 1 | 3B | 89 BPM | ||
| Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Heinrich Schiff, Samuel Sanders | D Major | 2 | 10B | 109 BPM | ||
| Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 2, Gavotte. Tranquillo, molto leggiero | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | A Major | 1 | 11B | 81 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| Elégie, Op.24: Molto adagio | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 0 | 4B | 107 BPM | ||
| Ponce: 2 Canciones mexicanas: No. 2, Estrellita (Arr. Heifetz for Violin and Piano) | Manuel Ponce, Vilde Frang, José Gallardo | A Minor | 3 | 8A | 84 BPM | ||
| 6 Morceaux: No. 3, Berceuse | Pauline Viardot, Rachel Barton Pine, Matthew Hagle | G Minor | 1 | 6A | 128 BPM | ||
| Theme from "Schindler's List" | John Williams, Maxim Vengerov, Ian Brown | D Minor | 1 | 7A | 97 BPM | ||
| Polka | Alfred Schnittke, Daniel Hope, Alexey Botvinov | A Minor | 2 | 8A | 109 BPM | ||
| Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | F Major | 1 | 7B | 103 BPM | ||
| Sonata No.1 for Violin and Piano in A Minor, Op. 105: II. Allegretto | Robert Schumann, Gidon Kremer, Martha Argerich | F Major | 0 | 7B | 104 BPM | ||
| 馬斯奈, 泰伊斯冥想曲 / J.マスネ, タイスの瞑想曲 | 亞麗葛二重奏 Duo Aligatissimo | C Major | 2 | 8B | 73 BPM | ||
| Borodin - String Quartet No.2 in D major: I. Allegro moderato | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 164 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Frederic Chiu, Pierre Amoyal | A Major | 1 | 11B | 130 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Fantasy in C Major, D. 934: II. Allegretto – | Franz Schubert, Gidon Kremer, Valery Afanassiev | G Major | 0 | 9B | 75 BPM | ||
| La Plus Que Lente | Natalia Stolarska, Bogdan Kutakowski | G Major | 1 | 9B | 85 BPM | ||
| Suite in D Minor, Op. 16b, R. 211: IV. Romance | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | E Major | 0 | 12B | 96 BPM | ||
| Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Arthur Grumiaux, Istvan Hajdu | B♭ Minor | 0 | 3A | 91 BPM | ||
| Suleika, Op. 34/4 | Nils Mönkemeyer | E Minor | 1 | 9A | 114 BPM | ||
| Monti: Csárdás (Arr. Parhamovsky for Violin and Ensemble) | Vittorio Monti, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | D Minor | 2 | 7A | 101 BPM |