"Suite in D Minor, Op. 16b, R. 211: IV. Romance" by Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot had its release date on October 13, 2017. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Saint-Saëns: Works for Cello & Orchestra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Suite in D Minor, Op. 16b, R. 211: IV. Romance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in D Minor, Op. 16b, R. 211: IV. Romance by Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Carnaval des Animaux, R. 125: IX. The Cuckoo in the Depths of the Forest | Camille Saint-Saëns, Seiji Ozawa, Garrick Ohlsson, John Browning, Boston Symphony Orchestra | A♭ Major | 1 | 4B | 77 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Major | 0 | 6B | 107 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | ||
| Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) | Zdeněk Fibich, Leopold Weninger, Mela Tenenbaum, Richard Kapp | D♭ Major | 1 | 3B | 90 BPM | ||
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
| Kraft : Sonata No.1 in B flat major : II Adagio | Anton Kraft, Jörg Baumann | F Major | 0 | 7B | 88 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo | Camille Saint-Saëns, New Philharmonia Orchestra/Jacqueline du Pré/Daniel Barenboim, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
| Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
| Vivaldi: Cello Concerto in C Major, RV 400: II. Largo | Antonio Vivaldi, Jean-François Paillard, Frédéric Lodéon, Orchestre de chambre Jean-François Paillard | D Minor | 2 | 7A | 153 BPM | ||
| Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1 | Anton Rubinstein, Taeguk Mun, Chi Ho Han | F Major | 1 | 7B | 93 BPM | ||
| Massenet: Thaïs, Act II: Méditation | Jules Massenet, Sarah Chang, Plácido Domingo, Berliner Philharmoniker | D Major | 1 | 10B | 99 BPM | ||
| Saint-Saëns: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | A Minor | 0 | 8A | 63 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
| Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Meditation | Jules Massenet, Anne Akiko Meyers, Andrew Litton | E Minor | 1 | 9A | 86 BPM | ||
| Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM |