"Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave" by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra had its release date on October 21, 2003. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Bruch: Violin Concerto No. 2 & Scottish Fantasy by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Souvenir d'un lieu cher, Op. 42, TH 116: No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg | D Minor | 5 | 7A | 170 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Glazunov: Violin Concerto in A Minor, Op. 82: III. Andante (Live) | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 100 BPM | ||
| Adagio [from Lady Macbeth of the Mtsensk District] | Dmitri Shostakovich, Gidon Kremer | A♭ Minor | 0 | 1A | 83 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 85 BPM | ||
| Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 20 in D Major | Niccolò Paganini, Itzhak Perlman | D Major | 2 | 10B | 105 BPM | ||
| Debussy: La plus que lente, CD 128, L. 121 (Arr. Roques for Violin and Piano) | Claude Debussy, Vilde Frang, José Gallardo | G Major | 1 | 9B | 125 BPM | ||
| Viola Sonata in B-Flat Major, Op. 36: I. Maestoso - Allegro | Henri Vieuxtemps, Robert Koenig, Roberto Díaz | B♭ Major | 1 | 6B | 81 BPM | ||
| Sonata For Piano And Violin In G, K.301: 1. Allegro con spirito | Wolfgang Amadeus Mozart, Itzhak Perlman, Daniel Barenboim | G Major | 1 | 9B | 139 BPM | ||
| Piano Quintet in G Minor, Op. 57: IV. Intermezzo | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Minor | 1 | 7A | 129 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | G Major | 2 | 9B | 93 BPM | ||
| Introduction et rondo capriccioso in A minor, Op. 28: I. Andante | RCA Victor Symphony Orchestra & William Steinberg | F Minor | 3 | 4A | 172 BPM | ||
| La Vida breve (2006 Digital Remaster): Danse espagnole No.1 | Itzhak Perlman, Samuel Sanders | A Minor | 3 | 8A | 113 BPM | ||
| Seitz: Schüler-Konzert No. 2, Op. 13: III. Allegro moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 133 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: III. Allegro | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | A Minor | 1 | 8A | 88 BPM | ||
| Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
| Concertone in C Major, K. 190: 2. Andantino grazioso | Wolfgang Amadeus Mozart, Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | F Major | 0 | 7B | 99 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Renaud Capuçon, Khatia Buniatishvili | A Major | 2 | 11B | 81 BPM | ||
| Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
| Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
| Brahms: Violin Sonata No. 2 in A Major, Op. 100: I. Allegro amabile | Johannes Brahms, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 111 BPM | ||
| Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM |