Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here by Spoken Word, Leonard Bernstein Song Details

Spoken Word, Leonard Bernstein's 'Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here' had a release date set for 1962. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 5 in Brahms: Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of Pre-Performance Remarks: Don't Be Frightened, Mr. Gould Is Here by Spoken Word, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -16.617 dB
Acousticness: 95%
Danceability: 57%
Energy: 56%
Instrumentalness: 0%
Liveness: 74%
Loudness: 72%
Speechiness: 90%
Valence: 22%

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