On June 29, 2015, the song "Stop Look and Listen" was released by Paul Whiteman. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Stop Look and Listen's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Greatest Hits, so we believe that "Stop Look and Listen" is a single. The popularity of Stop Look and Listen is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Stop Look and Listen by Paul Whiteman is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy Words - Crazy Tune (Vo-Do-De-O) | Irving Aaronson and His Commanders | E♭ Major | 2 | 5B | 172 BPM | ||
| A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM | ||
| Palesteena | Original Dixieland Jazz Band | A Minor | 1 | 8A | 96 BPM | ||
| I Double Dare You | Larry Clinton, Bea Wain | C Major | 3 | 8B | 110 BPM | ||
| Jeeves and Wooster | Pat Lynn | D Minor | 3 | 7A | 184 BPM | ||
| Three O' Clock In the Morning | Paul Whiteman | C Major | 3 | 8B | 110 BPM | ||
| It Happened in Monterey | Paul Whiteman | C Major | 3 | 8B | 110 BPM | ||
| Momma Goes Where Papa Goes or Papa Don't Go Out Tonight (Recorded December 1923) | Jane Green | F Major | 1 | 7B | 116 BPM | ||
| Sweet Georgia Brown | Ben Bernie | C Major | 3 | 8B | 110 BPM | ||
| What's the Good Word Mr. Bluebird | Harry Roy and His Orchestra | F♯ Major | 4 | 2B | 100 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee and His Connecticut Yankees | C Major | 3 | 8B | 110 BPM | ||
| Singin’ in the Bathtub (Brunswick 4610) [Recorded 1929] | Ben Bernie and His Hotel Roosevelt Orchestra | C Major | 3 | 8B | 82 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Whispering - Alternate Take | Paul Whiteman & His Orchestra | C Major | 3 | 8B | 110 BPM | ||
| I Got Rhythm | Red Nichols | G Minor | 3 | 6A | 127 BPM | ||
| Rhythm King | Bix Beiderbecke | F Major | 3 | 7B | 167 BPM | ||
| Oh, Baby! | Hal Kemp And His Orchestra | A♭ Major | 2 | 4B | 176 BPM | ||
| Happy Days Are Here Again | Jack Hylton, Jack Jackson, Phillippe Brun, Jack Hylton & His Orchestra, Leo Vauchant | G Major | 5 | 9B | 119 BPM | ||
| I Wonder Where My Baby Is Tonight | Ben Selvin | G Major | 2 | 9B | 114 BPM | ||
| Little Bits | Johnny Dodds, Jimmy Blythe | C Major | 3 | 8B | 110 BPM | ||
| Liebestraum | Paul Whiteman | C Major | 3 | 8B | 110 BPM | ||
| Blue Lou | Charlie Spivak & His Orchestra | A♭ Major | 4 | 4B | 170 BPM | ||
| When I Take My Sugar to Tea | Bunny Berigan, Frank Auburn & His Orchestra | C Major | 3 | 8B | 110 BPM | ||
| Avalon (02-27-28) | Red Nichols | D Major | 9 | 10B | 129 BPM | ||
| Goodnight Sweet Dreams | Isham Jones & His Orchestra | B♭ Major | 6 | 6B | 111 BPM |