- BPM
- 129
- Key
- F♯ Major
- Camelot
- 2B
Chapter 195 - The Future by Catherine Leroux, Karie Richards Song Details
Catherine Leroux, Karie Richards's 'Chapter 195 - The Future' had a release date set for January 16, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #195. Furthermore, we believe that the track originated from Germany. Based on our statistics, Chapter 195 - The Future's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
With Chapter 195 - The Future by Catherine Leroux, Karie Richards having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.876 dB
- Acousticness
- 76%
- Danceability
- 72%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 69%
- Speechiness
- 91%
- Valence
- 31%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Clarinet Sonata No. 1 in F Minor, Op. 120 No. 1: I. Allegro appassionato | Johannes Brahms, Jon Manasse, Jon Nakamatsu | B♭ Minor | 0 | 3A | 67 BPM | |
 | From Honey to Ashes: VIII. Alba | Stephen Goss, Francisco Correa, Emily Andrews | C Major | 0 | 8B | 81 BPM | |
 | Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | |
 | Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | |
 | Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | C Major | 0 | 8B | 81 BPM | |
 | Five Pieces for String Quartet, WV 68: No. 3, Alla Czeca | Erwin Schulhoff, Leonkoro Quartet | C Major | 0 | 8B | 81 BPM | |
 | Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | |
 | Chapter 155 - The Future | Catherine Leroux, Karie Richards | B♭ Minor | 1 | 3A | 84 BPM | |
 | Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | C Major | 0 | 8B | 81 BPM | |
 | Three Letter Word (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | D♭ Minor | 1 | 12A | 133 BPM | |
 | Un vélo, une auto, un boulevard et la neige | Félix-Antoine Coutu, Louis-Philippe Bonin, Catherine Leroux | F♯ Major | 2 | 2B | 82 BPM | |
 | Talisman: II. Contemplatif | Karol Beffa, Sanja Bizjak, Patrick Messina, Lyodoh Kaneko, Young-Eun Koo, Allan Swieton, Marlène Rivière | G Minor | 0 | 6A | 168 BPM | |
 | Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 81 BPM | |
 | Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 0 | 8B | 81 BPM | |
 | Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | |
 | Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | |
 | Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | |
 | Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | |
 | Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | |
 | Andante for Clarinet and Piano in E-flat Major | Othmar Schoeck, Anastasia Schmidlin, Denis Zhdanov | E♭ Major | 0 | 5B | 172 BPM | |
 | Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | |
 | Dominica in Ramis Palmarum: O Domine Jesu Christe (Arr. Solo Piano by Del Corral) | Tomás Luis de Victoria, Manuel del Corral | C Major | 0 | 8B | 81 BPM | |
 | Bagatelle | Hermann Neuling, Jesse McCormick | F Major | 0 | 7B | 66 BPM | |
 | Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM |
- ISRC
- DEUE12467442
- Label
- L-M Records/RCA Records