"You Got To My Head - Eng 11 Août 1989 Boston" by Ran Blake, Jeanne Lee had its release date on January 1, 2005. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of You Stepped Out Of A Cloud by Ran Blake, Jeanne Lee. The song's track number on the album is #7 out of 14 tracks. Based on our data, France was the country where this track was produced or recorded. You Got To My Head - Eng 11 Août 1989 Boston is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since You Got To My Head - Eng 11 Août 1989 Boston by Ran Blake, Jeanne Lee has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With You Got To My Head - Eng 11 Août 1989 Boston being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Quietest Yes | MySOL | D♭ Major | 0 | 3B | 138 BPM | ||
| Wrist Deep | Moira Club | B Major | 1 | 1B | 96 BPM | ||
| Sharon's Waltz | Joe Zawinul | A Minor | 1 | 8A | 126 BPM | ||
| Prayers | Fred Nardin | D♭ Major | 1 | 3B | 76 BPM | ||
| One Banana More | Carla Bley | C Major | 0 | 8B | 134 BPM | ||
| The Bet (Interlude) | Matheus Fonseca, Daniel Bitrán Donath, Ran Blake | D♭ Minor | 4 | 12A | 134 BPM | ||
| the suspension | Jon Balke | C Minor | 1 | 5A | 70 BPM | ||
| Harlem | Paul Bley | C Major | 5 | 8B | 94 BPM | ||
| Field Cry | Sara Serpa, Ran Blake | F Major | 0 | 7B | 129 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Shadows of the Clouds | Justin Joyce | A Minor | 1 | 8A | 63 BPM | ||
| Someday My Prince Will Come - The Trilogy | Joseph Giuseppe De Gregorio, Peter Erskine, Ike Sturm | C Major | 5 | 8B | 94 BPM | ||
| Brilliant Waters | Florian Weber, Ralph Alessi, Linda May Han Oh, Nasheet Waits | C Major | 0 | 8B | 86 BPM | ||
| Where Flamingos Fly (with Ran Blake) | Jeanne Lee, Ran Blake | C Minor | 0 | 5A | 78 BPM | ||
| Avinu Malkeinu | Eitan Kenner, Natalie Tenenbaum | C Major | 1 | 8B | 77 BPM | ||
| March | Mats Eilertsen | A Minor | 2 | 8A | 127 BPM | ||
| Snowfall | Karin Krog, John Surman, Rob Luft, Rob Waring, Erlend Slettevoll | C Major | 5 | 8B | 94 BPM | ||
| Good Jubes | Éire Lavery | F Major | 0 | 7B | 168 BPM | ||
| Pinkus | Jamie Saft, Steve Swallow, Bobby Previte | B Major | 1 | 1B | 78 BPM | ||
| Melancholy of Rita | Antonio Faraò, Stéphane Belmondo | C Major | 5 | 8B | 94 BPM | ||
| 20 Years | Oded Tzur | D♭ Major | 0 | 3B | 87 BPM | ||
| Dancing in the Dark 1 | Ran Blake | G Major | 4 | 9B | 101 BPM | ||
| Cold Hands, Warm Eyes | Jazz & Co. | C Major | 5 | 8B | 94 BPM | ||
| Let's Call This | Cedar Walton | E♭ Major | 1 | 5B | 86 BPM |