"Trois morceaux caractéristiques, Op. 28: II. Menuet Italien" by Amy Beach, Joanne Polk had its release date on April 7, 2008. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 22 in Beach: Variations on Balkan Themes Op. 60, Maria Funerale, Cadenza, Scottish Legend Op. 54 No. 1, etc. by Amy Beach, Joanne Polk. Trois morceaux caractéristiques, Op. 28: II. Menuet Italien is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois morceaux caractéristiques, Op. 28: II. Menuet Italien by Amy Beach, Joanne Polk is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mendelssohns Lieder, S. 547: I. Auf Flügeln des Gesanges (After Op. 34/2) | Franz Liszt, Isata Kanneh-Mason | D♭ Major | 2 | 3B | 74 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Berceuse in D Major, Op. 16 | Gabriel Fauré, Xavier Phillips, Cédric Tiberghien | D Major | 0 | 10B | 67 BPM | ||
| My fellow creatures | Carlos Cipa | E Minor | 0 | 9A | 104 BPM | ||
| Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods, Op. 68/5, B. 173 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Ocean Sonata For Harp | Gabríel Ólafs | E♭ Major | 1 | 5B | 68 BPM | ||
| Lyric Pieces, Book 1, Op. 12: No. 1, Arietta (Arr. Lewin for Guitar) | Edvard Grieg, Alexandra Whittingham | D Major | 0 | 10B | 152 BPM | ||
| Liszt: Liebesträume, S. 541: No. 1 in A-Flat Major, Hohe Liebe | Franz Liszt, Mariam Batsashvili | A♭ Major | 0 | 4B | 74 BPM | ||
| Fracture (Version for Harp) | Stephan Moccio, Alis Huws | D Major | 0 | 10B | 78 BPM | ||
| Cello Concerto | Robert Schumann, Christian-Pierre La Marca, Philharmonia Orchestra, Raphaël Merlin | F Major | 1 | 7B | 87 BPM | ||
| Chopin Memories of a Sonata (From Cello Sonata, Op. 65, Arr. for Piano by Ketan & Vivan Bhatti) | Frédéric Chopin, Olga Scheps | B♭ Major | 0 | 6B | 90 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| In Paradisum | Gabriel Fauré, Hayato Sumino | A Minor | 0 | 8A | 98 BPM | ||
| Scottish Legend, Op. 54, No. 1 | Amy Beach, Joanne Polk | D Minor | 0 | 7A | 71 BPM | ||
| Children's Carnival, Op. 25: VI. Harlequin | Amy Beach, Alexandra Dariescu | F Major | 3 | 7B | 104 BPM | ||
| 15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | ||
| 6 Piano Pieces, Op. 118: No. 2: Intermezzo in A Major | Johannes Brahms, Igor Levit | F♯ Minor | 0 | 11A | 78 BPM | ||
| Puccini: Vissi d'Arte - Olivia Belli Rework | Olivia Belli | E♭ Major | 0 | 5B | 65 BPM | ||
| Étude No. 10: Void | Marie Awadis | C Minor | 0 | 5A | 69 BPM | ||
| Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
| Étude No. 8: Through the Window | Marie Awadis | A Minor | 0 | 8A | 134 BPM | ||
| A September Forest | Amy Beach, Kirsten Johnson | A Major | 0 | 11B | 82 BPM | ||
| Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM |