"Ruthless Gravity" by Craig Armstrong had its release date on January 1, 2002. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 1 out of 15 in As If To Nothing by Craig Armstrong. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ruthless Gravity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ruthless Gravity by Craig Armstrong is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from Trust (Shadow Beat) - Orchestral Variation | James Lavelle | D Major | 9 | 10B | 123 BPM | ||
| THE BRICK | Trent Reznor and Atticus Ross | A Major | 4 | 11B | 92 BPM | ||
| One Perfect Sunrise | Orbital | A♭ Major | 9 | 4B | 140 BPM | ||
| Voices | Martin Phipps | C Minor | 1 | 5A | 124 BPM | ||
| The Rift | Solomon Grey | F Major | 2 | 7B | 87 BPM | ||
| Tick Of The Clock (Extended Overdrive) | Chromatics | D♭ Major | 1 | 3B | 101 BPM | ||
| Never | Terranova, Nicolette Krebitz | D♭ Major | 9 | 3B | 94 BPM | ||
| Juno | Trent Reznor and Atticus Ross | E Major | 3 | 12B | 76 BPM | ||
| El Cargo | Amon Tobin | D♭ Major | 9 | 3B | 170 BPM | ||
| Meet the Monster | Paul Haslinger | B♭ Minor | 3 | 3A | 182 BPM | ||
| The Matrix: Clubbed to Death | M.S. | D Major | 5 | 10B | 103 BPM | ||
| Theme From Battery | Amon Tobin | C Major | 4 | 8B | 130 BPM | ||
| We Can Be Free | Hybrid | B♭ Major | 3 | 6B | 82 BPM | ||
| The Quiet American | Craig Armstrong | D♭ Major | 3 | 3B | 183 BPM | ||
| Finished Symphony - Orchestral Version | Hybrid | A♭ Minor | 3 | 1A | 93 BPM | ||
| The Trainman Cometh | Juno Reactor, Don Davis | D♭ Major | 6 | 3B | 80 BPM | ||
| Mind Heist: The Birth Of An Idea | Zack Hemsey | A♭ Major | 5 | 4B | 128 BPM | ||
| Fatal Weakness | Éric Serra | B♭ Major | 4 | 6B | 95 BPM | ||
| Alpha | Marc Streitenfeld | C Major | 2 | 8B | 73 BPM | ||
| Ultramarine | Michael Brook | B♭ Minor | 4 | 3A | 137 BPM | ||
| Watching With Ten Thousand Eyes | Ramin Djawadi | G Major | 2 | 9B | 81 BPM | ||
| The Test Worked | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 143 BPM | ||
| Visions | James Newton Howard | E Minor | 1 | 9A | 119 BPM | ||
| Taming the Dinosaurs | Steve Jablonsky | D Major | 2 | 10B | 100 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM |