Ray Kennedy's ' "What a Way to Go" was released on its scheduled release date, July 17, 1990. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. What a Way to Go's duration is considered a little bit shorter than the average duration of a typical track. This song is part of What a Way to Go by Ray Kennedy. The song's track number on the album is #2 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, What a Way to Go's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since What a Way to Go by Ray Kennedy has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What a Way to Go being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tore Up from The Floor Up | Wade Hayes | A Major | 9 | 11B | 172 BPM | ||
| Live Until I Die | Clay Walker | E♭ Major | 6 | 5B | 133 BPM | ||
| My Daddy Was A Milkman | The Kentucky Headhunters | C Major | 6 | 8B | 105 BPM | ||
| I'm Gonna Love You Back to Loving Me Again | Joe Stampley | B Major | 5 | 1B | 98 BPM | ||
| Bet Your Heart On Me | Johnny Lee | E Major | 4 | 12B | 119 BPM | ||
| She Can't Say That Anymore | John Conlee | E Minor | 5 | 9A | 169 BPM | ||
| Busted | John Conlee | D Major | 4 | 10B | 126 BPM | ||
| Three Time Loser | Dan Seals | B♭ Major | 5 | 6B | 105 BPM | ||
| I Was Born with a Broken Heart | Aaron Tippin | F Major | 4 | 7B | 116 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| Hillbilly with a Heartache | Tracy Lawrence | C Minor | 8 | 5A | 158 BPM | ||
| Boogie Woogie Fiddle Country Blues | The Charlie Daniels Band | C Major | 7 | 8B | 155 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| Right Hand Man | Eddy Raven | G Major | 5 | 9B | 130 BPM | ||
| Renegades, Rebels and Rogues | Tracy Lawrence | D Major | 8 | 10B | 155 BPM | ||
| The New Never Wore Off My Sweet Baby | Dean Dillon | B Major | 4 | 1B | 138 BPM | ||
| You Really Had Me Going | Holly Dunn | A♭ Major | 7 | 4B | 128 BPM | ||
| Workin' for the Weekend | Ken Mellons | E Major | 10 | 12B | 175 BPM | ||
| Watching My Baby Not Coming Back | David Ball | A Major | 8 | 11B | 130 BPM | ||
| Jukebox Junkie | Ken Mellons | A Major | 9 | 11B | 157 BPM | ||
| You Could've Heard a Heart Break | Johnny Lee | D Major | 4 | 10B | 116 BPM | ||
| I'm Settin' Fancy Free - Single Version | The Oak Ridge Boys | D Major | 3 | 10B | 115 BPM | ||
| Wild Child | Whey Jennings | B Major | 9 | 1B | 92 BPM | ||
| Should've Asked Her Faster | Tyler England | D Major | 8 | 10B | 95 BPM | ||
| Roll On Big Mama | Joe Stampley | A♭ Minor | 7 | 1A | 96 BPM |