"Pictures at an Exhibition: Promenade I" by Modest Mussorgsky, George Szell, The Cleveland Orchestra had its release date on July 20, 2018. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, George Szell, Cleveland Orchestra's "Mussorgsky: Pictures at an Exhibition - Liadov: The Enchanted Lake, Op. 62" album is number 1 out of 16. On top of that, United States appears to be the country where this track was created. Pictures at an Exhibition: Promenade I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: Promenade I by Modest Mussorgsky, George Szell, The Cleveland Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | A Major | 3 | 11B | 127 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Richard Stamp, Anton Nel, Keith Snell, Academy Of London | A Minor | 0 | 8A | 91 BPM | ||
| Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 83 BPM | ||
| Masquerade Suite: IV. Romance | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | B♭ Minor | 2 | 3A | 124 BPM | ||
| Symphony No. 104 in D Major, Hob. I:104 "London": II. Andante | Joseph Haydn, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | G Major | 0 | 9B | 133 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: Masks | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 84 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 3 | 7B | 125 BPM | ||
| Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Yo-Yo Ma, English Chamber Orchestra, José-Luis Garcia | D Major | 1 | 10B | 99 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": I. Allegro moderato | Franz Schubert, George Szell, The Cleveland Orchestra | B Minor | 1 | 10A | 71 BPM | ||
| Beethoven: Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | G Major | 3 | 9B | 140 BPM | ||
| Wagner: Lohengrin, Act 1: Prelude | Richard Wagner, Rudolf Kempe, Wiener Philharmoniker | A Major | 0 | 11B | 68 BPM | ||
| Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
| La mer, CD 111: I. De l'aube à midi sur la mer | Claude Debussy, Royal Concertgebouw Orchestra, Bernard Haitink | F♯ Major | 0 | 2B | 68 BPM | ||
| Adams: Nixon in China: Act I, Scene 1 - Landing of the Spirit of '76 | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 4 | 7B | 106 BPM | ||
| The Planets Suite, Op. 32: II. Venus | Gustav Holst, Vladimir Jurowski, London Philharmonic Choir, London Philharmonic Orchestra, Neville Creed | A♭ Major | 0 | 4B | 137 BPM | ||
| Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
| Pictures At An Exhibition: Promenade - 1 | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 80 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | D♭ Major | 1 | 3B | 84 BPM |