On March 1, 1992, the song "Ae Gori Mori" was released by Bijli Rani, Dabbu Shukla, Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Dardiya E Balam by Bijli Rani, Dabbu Shukla, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ae Gori Mori's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ae Gori Mori by Bijli Rani, Dabbu Shukla, Rekha Rani is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chal Turi Chal Turi | Mithlesh Sahu, Alka Chandrakar | F♯ Major | 8 | 2B | 136 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Jholi Bharke | Chhagan Chougule | F♯ Minor | 9 | 11A | 102 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Maiya Ke Chunari Hai | Dukalu Yadav | F Minor | 9 | 4A | 131 BPM | ||
| Hajma Dheere Dheere Katiyhe Bhuya K Kesh | Poonam Mishra | D Major | 7 | 10B | 167 BPM | ||
| Ton Bhi Chade Wen Jani | Fozia Soomro | G Minor | 8 | 6A | 204 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Mere Jeevan Ke Rang Mere Sai Ratan | Paras Jain | B♭ Major | 6 | 6B | 137 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Chondo Haeen Preen | Fozia Soomro | F Minor | 7 | 4A | 102 BPM | ||
| Gawna Ke Ratiya | Bijli Rani | D♭ Major | 10 | 3B | 90 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Durga Mayiya Badi Sher Per Sawar Ho | Bijli Rani | B♭ Major | 6 | 6B | 162 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Suna Hai Ramayan Mein | Shahid Mallya, Sana Mallya, Kiran Sachdev | F♯ Major | 6 | 2B | 92 BPM | ||
| Dasvein Class Se | Bijli Rani | B♭ Major | 5 | 6B | 152 BPM | ||
| Sabariu Zhinu Zhinu Vage | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Sakhi Hey Rase Rase Pahun Chalai Chhi | Kunj Bihari Mishr | B♭ Minor | 6 | 3A | 139 BPM | ||
| Aarti Laxmi Maata | Pramita | G Minor | 6 | 6A | 99 BPM | ||
| Jeans Ke Chain Khichawaal Kar | Naresh Kumar Yadav, Bijli Rani | A♭ Major | 9 | 4B | 147 BPM | ||
| Devra Ke Milal Mauka | Bikki Bahar, Bijli Rani | D♭ Major | 8 | 3B | 86 BPM | ||
| Lawle Mohabbaat Ke Teblet | Sunil Chhaila Bihari, Tripti Shakya | D♭ Major | 8 | 3B | 135 BPM |