Waterdown's 'From A Different Angle' had a release date set for May 8, 2001. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Never Kill The Boy On The First Date". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, From A Different Angle is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With From A Different Angle by Waterdown having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Xerox | Waterdown | B♭ Major | 9 | 6B | 149 BPM | ||
| For Now | Stretch Arm Strong | G Major | 9 | 9B | 102 BPM | ||
| Accidents | Alexisonfire | F Minor | 9 | 4A | 105 BPM | ||
| Victims Of Mathematics | Grade | G Major | 9 | 9B | 85 BPM | ||
| Chewing On Lies | Waterdown | F♯ Major | 9 | 2B | 110 BPM | ||
| Starter | Evergreen Terrace | D♭ Minor | 10 | 12A | 167 BPM | ||
| Confessions | Bleed The Dream | A♭ Major | 10 | 4B | 147 BPM | ||
| The Pirate Song | Gameface | E Major | 9 | 12B | 117 BPM | ||
| Fortunate | Yesterdays Rising | D♭ Major | 9 | 3B | 154 BPM | ||
| Composer Meet Corpse | Poison The Well | D♭ Major | 9 | 3B | 83 BPM | ||
| Conceptualizing Theories In Motion | Grade | D Major | 9 | 10B | 160 BPM | ||
| My Only Cure | Recover | A Minor | 10 | 8A | 90 BPM | ||
| Half Man, Half Shark; Equals One Complete Gentleman | A Static Lullaby | B Minor | 9 | 10A | 164 BPM | ||
| Ending The Perpetual Tragedy | Shai Hulud | E♭ Minor | 9 | 2A | 126 BPM | ||
| Venus Complex | Twelve Tribes | F Minor | 9 | 4A | 162 BPM | ||
| A Letter to Someone Like You | Atreyu | C Major | 9 | 8B | 110 BPM | ||
| F | Reggie And The Full Effect | G Major | 10 | 9B | 95 BPM | ||
| Only Our Faces Hide | Beloved | D Major | 10 | 10B | 173 BPM | ||
| We on Some Next Level Shit | As Friends Rust | G Major | 10 | 9B | 103 BPM | ||
| Sticks And Bones | Death By Stereo | B Major | 10 | 1B | 109 BPM | ||
| Engine | Haste | G Minor | 9 | 6A | 160 BPM | ||
| Metaphor | Yesterdays Rising | D♭ Minor | 9 | 12A | 152 BPM | ||
| Three of Clubs | Hell Is For Heroes | D Minor | 9 | 7A | 138 BPM | ||
| Brave Reality | Evergreen Terrace | B Minor | 9 | 10A | 178 BPM | ||
| Last Year's Nest | Boysetsfire | F♯ Minor | 9 | 11A | 115 BPM |