On January 1, 1998, the song "Perpetuum mobile (Ries) - 1998 Digital Remaster" was released by Ferdinand Ries, Nathan Milstein, Leon Pommers. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Perpetuum mobile (Ries) - 1998 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vignettes: 24 Favorite Miniatures by Nathan Milstein. The song's track number on the album is #7 out of 24 tracks. In terms of popularity, Perpetuum mobile (Ries) - 1998 Digital Remaster is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Perpetuum mobile (Ries) - 1998 Digital Remaster by Ferdinand Ries, Nathan Milstein, Leon Pommers has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Perpetuum mobile (Ries) - 1998 Digital Remaster being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
| Variations on "Là ci darem la mano" from Mozart's Don Giovanni, Op. 2: Introduzione. Largo - Poco più mosso - Live | Frédéric Chopin, Bruce Liu | B♭ Major | 0 | 6B | 73 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Krommer : Clarinet Concerto in E flat major Op.36 : II Adagio | Franz Krommer, Sharon Kam, Jörg Faerber, Württemberg Chamber Orchestra | C Minor | 0 | 5A | 126 BPM | ||
| No. 3, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Major | 1 | 9B | 134 BPM | ||
| String Quartet No. 2 in A Minor, Op. 35: I. Moderato | Anton Arensky, Ying Quartet | A Minor | 2 | 8A | 76 BPM | ||
| Piano Concerto No. 6 In C Major, H. 49 X: II. Larghetto | Benjamin Frith, Royal Northern Sinfonia, John Field | E Major | 0 | 12B | 91 BPM | ||
| String Quartet No. 2 in A Major, Op. 68: III. Waltz. Allegro (Arr. B. Giltburg for Piano) | Dmitri Shostakovich, Boris Giltburg | B♭ Minor | 1 | 3A | 69 BPM | ||
| Suite in B-Flat Major, HWV 434: I. Prélude | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | ||
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
| Nun komm, der Heiden Heiland, BWV 659 (Ferruccio Busoni's Transcription) | Johann Sebastian Bach, Herbert Schuch | D♭ Major | 0 | 3B | 68 BPM | ||
| Distant | Misya | B Minor | 1 | 10A | 100 BPM | ||
| Piano Concerto No. 4 in C Minor, Op. 115: II. Molto adagio | Ferdinand Ries, Christopher Hinterhuber, Bournemouth Symphony Orchestra, Uwe Grodd | E♭ Major | 0 | 5B | 68 BPM | ||
| Haydn: Piano Concerto in G Major, Hob XVIII:4: II. Adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
| Piano Concerto No. 3 in B Minor, Op. 89: III. Finale: Vivace | Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson | B Minor | 2 | 10A | 133 BPM | ||
| Schubert: Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo | Franz Schubert, Dong Hyek Lim | D♭ Minor | 1 | 12A | 84 BPM | ||
| Symphony No. 1 in D Major, D. 82: I. Adagio – Allegro vivace | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D Major | 1 | 10B | 73 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Royer: Premier livre de pièces de clavecin: No. 11, Le vertigo | Joseph-Nicolas-Pancrace Royer, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Chopin: 24 Preludes, Op. 28: No. 6 in B Minor | Frédéric Chopin, Maria João Pires | A♭ Major | 0 | 4B | 97 BPM | ||
| Saint-Saëns: Violin Sonata No. 1 in D Minor, Op. 75: II. Allegro moderato | Camille Saint-Saëns, Renaud Capuçon, Bertrand Chamayou | D Major | 0 | 10B | 73 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM |