On September 14, 2010, the song "German and Polish Dances (1601)" was released by Christoph Demantius, Praetorius Consort, Christopher Ball. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Praetorius: Dances from Terpsichore, etc.". In this album, this song's track order is #39. Furthermore, we believe that the track originated from United States. Based on our statistics, German and Polish Dances (1601)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With German and Polish Dances (1601) by Christoph Demantius, Praetorius Consort, Christopher Ball having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Awed by the Beauty | St. Patrick Orthodox Church Choir | G Major | 1 | 9B | 137 BPM | ||
| MISA IN TE DOMINE SPERAVI: Agnus Dei | Francisco Guerrero, A5 Vocal Ensemble | D Minor | 2 | 7A | 72 BPM | ||
| Église du Seigneur | Chœur Éphata, Rogatien Despaigne | E Minor | 1 | 9A | 85 BPM | ||
| Pie Jesu, pastor alme | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Evening Service in G Minor, Z. 231: I. Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| Slava vo visnjih Bogu | Pukovet | E Major | 1 | 12B | 84 BPM | ||
| Dieu, nous Te louons | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| I Will Rejoice | Vincent Miller, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Hic est discipulus | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| Ilta on Tullut, Luojani | Sofie Lithenius, Lauri Nurkkala, Cantio Laudis, Olli Heikkilä, Oulun Kamariorkesterin Jousikvartetti, Irina Niskala | F♯ Minor | 1 | 11A | 145 BPM | ||
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| Virsi 370: Ah, tiesi usko haltuun Herran | Jämsän Kristillisen Kansanopiston lauluryhmä, Tiina Vuorenmaa, Anna Jäntti, Hanna Holma, Harri Hytönen, Liisa Kankkonen, Ritva Holma, Sirke Mäki, Vahvistettu kvartetti | A Minor | 1 | 8A | 77 BPM | ||
| Un pastor chies’ ad una ninfa amore | Giovanni Ferretti, The English Cornett and Sackbut Ensemble | D Major | 8 | 10B | 170 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Conviviorum Deliciae (1608) - II. Galliarda Duodecima (XLIII) | Christoph Demantius, Brass Septet of Prague Castle | D Minor | 0 | 7A | 73 BPM | ||
| A und O | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Minor | 1 | 5A | 78 BPM | ||
| Magi veniunt ab oriente | Jacob Clemens non Papa, Choir of Clare College, Cambridge, Graham Ross | G Minor | 2 | 6A | 136 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| O Tébe Ráduyetsia | Rev Dr Ivan Moody, Cappella Romana | B Minor | 1 | 10A | 110 BPM | ||
| Polyeleopsalmi (Kiitäkää Herran nimeä) | P. Ivanov, Tampere Orthodox Choir, Johtajana Risto Matsi | G Major | 0 | 9B | 130 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| Conviviorum Deliciae (1608) - IV.Der Funffte Tantz (XIVII) | Christoph Demantius, Brass Septet of Prague Castle | F Major | 1 | 7B | 78 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM |