Gordon MacRae's ' "I've Grown Accustomed to Your Face" was released on its scheduled release date, 1949. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. I've Grown Accustomed to Your Face's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gordon MacRae's "Gordon Macrae" album is number 2 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, I've Grown Accustomed to Your Face is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of I've Grown Accustomed to Your Face by Gordon MacRae to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shall We Dance? - From "The King And I" | Oscar Hammerstein II, Richard Rodgers, Yul Brenner, Gertrude Lawrence | E♭ Major | 2 | 5B | 96 BPM | ||
| When I Marry Mr. Snow | Barbara Ruick | E♭ Major | 2 | 5B | 137 BPM | ||
| With Cat-Like Tread, Upon Our Prey We Steal | The Pirates Of Penzance | D Major | 6 | 10B | 128 BPM | ||
| How Lovely to Be a Woman | Ann-Margret | B Major | 3 | 1B | 78 BPM | ||
| Bosom Buddies | Lucille Ball, Beatrice Arthur | E♭ Major | 2 | 5B | 108 BPM | ||
| My Funny Valentine | Gordon MacRae | B Minor | 2 | 10A | 174 BPM | ||
| State Fair 1945: That's For Me | Richard Rodgers, Oscar Hammerstein II | F Major | 2 | 7B | 121 BPM | ||
| One Hundred Easy Ways | Rosalind Russell | F Minor | 2 | 4A | 68 BPM | ||
| Beautiful Girl | Debbie Reynolds, Gene Kelly, Donald O'Connor | D Major | 2 | 10B | 66 BPM | ||
| Matchmaker, Matchmaker | Tanya Everett, Joanna Merlin, Julia Migenes | E Major | 1 | 12B | 66 BPM | ||
| America | Yvonne Wilder, Rita Moreno, George Chakiris | F Major | 3 | 7B | 79 BPM | ||
| Overture from Guys and Dolls | Jay Blackton (conductor), Guys and Dolls Pit Orchestra | A♭ Major | 4 | 4B | 70 BPM | ||
| Tik-A-Tee, Tik-A-Tay (Tica-Ti, Tica-Tay) | Gordon MacRae | B♭ Major | 7 | 6B | 129 BPM | ||
| Climb Ev’ry Mountain - Film Version | Margery MacKay, Irwin Kostal | A♭ Minor | 1 | 1A | 86 BPM | ||
| I've Never Been in Love Before | Josie de Guzman, Peter Gallagher | D♭ Major | 1 | 3B | 141 BPM | ||
| Kansas City | Charlotte Greenwood, Gene Nelson, Darcy M. Proper | C Major | 3 | 8B | 125 BPM | ||
| The Surrey with the Fringe on Top (Excerpts From "Oklahoma!") | Gordon Macrae | D Major | 1 | 10B | 79 BPM | ||
| It's Magic | Gordon Macrae | B♭ Major | 3 | 6B | 106 BPM | ||
| Mame | Mame Soundtrack - Robert Preston & Chorus | A Minor | 3 | 8A | 115 BPM | ||
| Come To Me, Bend To Me (from "Brigadoon") | The Original Broadway Cast Of Brigadoon | G Major | 1 | 9B | 84 BPM | ||
| Climb Ev'ry Mountain | Peggy Wood | B♭ Major | 4 | 6B | 93 BPM | ||
| I've Grown Accustomed to Your Face | Gordon MacRae | E♭ Major | 4 | 5B | 111 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| The Pajama Game: Hey There | Richard Adler, Jerry Ross, John Raitt, The Original Broadway Cast Of The Pajama Game, Hal Hastings | F♯ Major | 2 | 2B | 85 BPM | ||
| Elegance | Jerry Herman, Michael Crawford, Company | C Major | 3 | 8B | 164 BPM |