Charivari Agréable's ' "Bach: In Dir ist Freude" was released on its scheduled release date, 2003. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Bach: In Dir ist Freude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charivari Agréable's "Modus Phantasticus" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Bach: In Dir ist Freude is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Bach: In Dir ist Freude by Charivari Agréable to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| Sinfonia to the oratorio Santa Beatrice d'Este in D Minor, WoO 1: II. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Minor | 2 | 12A | 75 BPM | ||
| Schütz: Feritevi, ferite | Charivari Agréable | F♯ Major | 1 | 2B | 89 BPM | ||
| Sonata for Four Violins and Continuo: I. Allegro | William Croft, Charivari Agréable, Kah-Ming Ng | E♭ Major | 2 | 5B | 100 BPM | ||
| Michel Corrette: Le Phénix, Concerto in D major for four bass viols & basso cont | Charivari Agréable | C Major | 1 | 8B | 84 BPM | ||
| Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Overture in G Minor: II. Gavotte | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 2 | 11A | 89 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto | Leonardo Leo, Sol Gabetta, Andrés Gabetta | B Minor | 0 | 10A | 77 BPM | ||
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
| Instrumental Music from King Arthur, Z. 628: 1. Overture | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 117 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Xerxes Ballet: Air pour les esclaves dansants | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto for Strings in G Minor, RV 153: II. Andante | Antonio Vivaldi, Giuliano Carmignola, Sonatori De La Gioiosa Marca | G Minor | 1 | 6A | 114 BPM | ||
| Sweelinck: Praeludium Toccata | Charivari Agréable | A Minor | 1 | 8A | 115 BPM | ||
| Symphony No. 82 in E Minor: III. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 1 | 2B | 170 BPM | ||
| Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
| Symphony in C Minor, J-C 9: III. Allegro | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Vesperae solennes de Confessore, K.339: III. Beatus vir | Wolfgang Amadeus Mozart, Charivari Agréable, Christopher Borrett, Christopher Watson, Jeremy Kenyon, Laurence Kilsby, Benjamin Nicholas | B Major | 3 | 1B | 96 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Bach: Erbarm dich | Charivari Agréable | B Minor | 0 | 10A | 84 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
| Concerto Grosso In F Minor, Op. 1, No. 8: I. Largo - Grave - Vivace - Grave | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 117 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Huitieme Concert Dans le Gout Theatral (from Les Gôuts Réunis): Ouverture | François Couperin, Charivari Agréable | F♯ Major | 1 | 2B | 146 BPM |