"Stereo Music for Yamaha Disklavier Prototype, Electric Guitar and Computer" by Keith Fullerton Whitman had its release date on May 16, 2005. This song appears to be safe for all ages as it is not explicit. The track order of this song in Keith Fullerton Whitman's "Multiples" album is number 5 out of 8. Based on our statistics, Stereo Music for Yamaha Disklavier Prototype, Electric Guitar and Computer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stereo Music for Yamaha Disklavier Prototype, Electric Guitar and Computer by Keith Fullerton Whitman to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dive | Infinite Body | D♭ Major | 0 | 3B | 81 BPM | ||
| One | Nobuto Suda | F♯ Major | 1 | 2B | 75 BPM | ||
| House | Ulla Straus | D♭ Major | 1 | 3B | 83 BPM | ||
| Open Water | Pjusk, Arovane | E Minor | 7 | 9A | 99 BPM | ||
| Sommersonnenschein | Novisad | D Major | 4 | 10B | 111 BPM | ||
| Sophteonal | Aix Em Klemm | D Minor | 2 | 7A | 127 BPM | ||
| Modena | Keith Fullerton Whitman | D Major | 1 | 10B | 151 BPM | ||
| Everything To Come | Eluvium | D Major | 4 | 10B | 73 BPM | ||
| A Heavy Leg Cycle | Olan Mill | D♭ Major | 1 | 3B | 69 BPM | ||
| Chronology | Qasim Naqvi | F Major | 0 | 7B | 43 BPM | ||
| Toi | Visible Cloaks, Yoshio Ojima, Satsuki Shibano | C Major | 1 | 8B | 65 BPM | ||
| One Watery Lens | Pausal | C Major | 1 | 8B | 73 BPM | ||
| Plays John Cassavetes 1 | Ekkehard Ehlers | D♭ Major | 3 | 3B | 125 BPM | ||
| Lights of Little Towns | Pan-American | A Minor | 2 | 8A | 82 BPM | ||
| If I Could Possibly Tell the Difference, I Wouldn't Care Anyway | Benoît Pioulard | E Minor | 1 | 9A | 63 BPM | ||
| 3x2 (Exit) | Aix Em Klemm | A Minor | 1 | 8A | 178 BPM | ||
| Stereo Music for Yamaha Disklavier Prototype, Electric Guitar and Computer | Keith Fullerton Whitman | D Minor | 4 | 7A | 158 BPM | ||
| You've Been Gone Longer Than I Knew You | Adam Pacione | E Major | 2 | 12B | 65 BPM | ||
| El cascabel de plata | Federico Durand | F Major | 0 | 7B | 66 BPM | ||
| Onsay | Fennesz | D Major | 0 | 10B | 69 BPM | ||
| I Will | Brian McBride | A♭ Major | 1 | 4B | 76 BPM | ||
| Minism | Taylor Deupree | D♭ Major | 0 | 3B | 81 BPM | ||
| Lights On Water | Pan-American | A♭ Major | 1 | 4B | 66 BPM | ||
| Laurel Canyon | Bochum Welt | D♭ Major | 2 | 3B | 123 BPM | ||
| Heart Donor | Sofie Birch, Johan Carøe | C Major | 1 | 8B | 68 BPM |