"Umbilical Caught" by Paul Leonard-Morgan had its release date on February 28, 2025. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Leonard-Morgan's "Last Breath (Original Motion Picture Soundtrack)" album is number 9 out of 22. Umbilical Caught is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Umbilical Caught by Paul Leonard-Morgan to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monsters | Lovett | F Minor | 1 | 4A | 143 BPM | ||
| 1.5_3-trustyourself.bwf | Mac Quayle | D♭ Major | 3 | 3B | 98 BPM | ||
| Prologue | Ola Strandh | E Major | 4 | 12B | 128 BPM | ||
| Clean the Thrower | Daniel L.K. Caldwell | F Minor | 0 | 4A | 92 BPM | ||
| Cosmology | Stephen Barton | D♭ Minor | 2 | 12A | 102 BPM | ||
| Lockhouse | Thomas Newman | G Major | 3 | 9B | 97 BPM | ||
| All Men Can Be Broken | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Opening Credits | Michael McCann | D Minor | 6 | 7A | 90 BPM | ||
| Rooftops | Ola Strandh | B♭ Minor | 3 | 3A | 164 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Always Here for You | Philip Glass, Paul Leonard-Morgan | D Major | 0 | 10B | 74 BPM | ||
| Dr. Ford | Ramin Djawadi | B Minor | 1 | 10A | 130 BPM | ||
| Tree Of Life | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| A Whisper | Petri Alanko | B♭ Minor | 1 | 3A | 120 BPM | ||
| Wronged | Guillermo Martorell | G Minor | 1 | 6A | 108 BPM | ||
| Elena's Sound-World | Sinoia Caves | G Major | 3 | 9B | 135 BPM | ||
| The Suits Are Scared | Paul Leonard-Morgan | A Major | 5 | 11B | 121 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Battleground Arasaka | Paul Leonard-Morgan | D Major | 4 | 10B | 120 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| The Planter's Trace | Metal Scar Radio, Hybrid | D Major | 5 | 10B | 160 BPM | ||
| Macbeth - From "Macbeth" Soundtrack | Jed Kurzel | A Major | 2 | 11B | 70 BPM | ||
| Kanna | Sarah Schachner | C Major | 5 | 8B | 141 BPM | ||
| Hiding Out | Paul Leonard-Morgan | G Major | 2 | 9B | 119 BPM | ||
| The Sacred And The Profane | Paul Leonard-Morgan | A Minor | 2 | 8A | 72 BPM |