"Maarifa Street" by Jon Hassell had its release date on 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jon Hassell's "Maarifa Street" album is number 2 out of 7. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Maarifa Street is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maarifa Street by Jon Hassell to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mexican Bells (for Jorge Reyes) | Suso Saiz | C Minor | 2 | 5A | 192 BPM | ||
| Mezame (Awakening) | Carlos Niño, Miguel Atwood-Fergeson | G Minor | 3 | 6A | 118 BPM | ||
| Hotel Nota | Roméo Poirier | B Minor | 3 | 10A | 138 BPM | ||
| Arabesque 3 - 2013 Remaster | Harold Budd | A Minor | 1 | 8A | 67 BPM | ||
| Dangerous Chemicals | Joseph Shabason | C Minor | 2 | 5A | 101 BPM | ||
| Courtrais - Live | Jon Hassell | F Major | 0 | 7B | 123 BPM | ||
| Words With The Shaman - Part 2 (Incantation) | David Sylvian | B♭ Minor | 8 | 3A | 96 BPM | ||
| Power Spot | Jon Hassell | C Major | 4 | 8B | 151 BPM | ||
| Everything Without Shadow | Carmen Villain | C Major | 2 | 8B | 76 BPM | ||
| That Night Together With Her | Pablo's Eye | C Major | 2 | 8B | 87 BPM | ||
| Them, Their | Jan Jelinek | A♭ Major | 2 | 4B | 183 BPM | ||
| Jehudah | June11, Jan Van den Broeke | C Major | 1 | 8B | 90 BPM | ||
| FLUX TWO | Robert Turman | A Minor | 4 | 8A | 82 BPM | ||
| Fata Morgana - Original Mix | Gigi Masin | E♭ Major | 2 | 5B | 153 BPM | ||
| Rack railway To | Roberto Musci | B♭ Major | 6 | 6B | 91 BPM | ||
| Toi | Visible Cloaks, Yoshio Ojima, Satsuki Shibano | C Major | 1 | 8B | 65 BPM | ||
| By Foot By Sea | Jeremiah Chiu, Marta Sofia Honer | A♭ Minor | 6 | 1A | 147 BPM | ||
| Tite Cycle | Joseph Shabason | C Minor | 0 | 5A | 99 BPM | ||
| Acquiescence | K. Leimer | D Minor | 2 | 7A | 70 BPM | ||
| Ah! | Popol Vuh | A♭ Major | 2 | 4B | 87 BPM | ||
| Sacer Profanare | Kali Malone | F Minor | 0 | 4A | 70 BPM | ||
| The Peach Tree Next Door Grew over Our Fence | Dylan Henner | D♭ Major | 3 | 3B | 110 BPM | ||
| Untitled, Live in Portland | Sarah Davachi | A♭ Major | 0 | 4B | 70 BPM | ||
| Chesh | The Black Dog | A♭ Major | 5 | 4B | 168 BPM | ||
| A Child In A Sylvan Field | Harold Budd | F Major | 1 | 7B | 106 BPM |