Paul Kreider, John Rich's 'Spring Rain' had a release date set for 2001. This song is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. The track order of this song in Paul Kreider's "Glide" album is number 6 out of 8. On top of that, United States appears to be the country where this track was created. Spring Rain is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spring Rain by Paul Kreider, John Rich to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'italiana in Algeri: Atto I. Finale I. Settimino & Stretta. Pria di dividerci | Gioachino Rossini, Lilian Farahani, Esther Kuiper, Alasdair Kent, Vasilisa Berzhanskaya, Ricardo Seguel, José Coca Loza, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | E♭ Major | 0 | 5B | 79 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 7, Low-born clods of brute earth (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Die Zauberflöte, K. 620 / Act 1: "O zittre nicht, mein lieber Sohn" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 1 | 6B | 128 BPM | ||
| Bellini: I puritani: "T’appellan le schiere" (Bruno, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Così fan tutte, K. 588 / Act II: "In qual fiero contrasto" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 49 BPM | ||
| Rossini: Guillaume Tell, Act 4: Final. "Pourquoi ta présence, ô mon père !" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chœur) | Gioachino Rossini, Lamberto Gardelli, Ambrosian Opera Chorus, Gabriel Bacquier, Jocelyne Taillon, Kolos Kovacs, Louis Hendrikx, Mady Mesplé, Montserrat Caballé, Nicolai Gedda, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Love in a Life: No. 1, Love in a Life | Daron Hagen, Paul Kreider | G Major | 0 | 9B | 93 BPM | ||
| Don Pasquale, Act II Quinta Scena: Riunita immantinento (Norina/Pasquale/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 135 BPM | ||
| Vera of Las Vegas: Doll's Song | Daron Hagen, Patrick Jones, Paul Kreider, Carolann Page, Charles Maxwell, Donna Hagen, University of Nevada Las Vegas Opera Theater Orchestra | F♯ Minor | 4 | 11A | 119 BPM | ||
| 「マドンナの宝石」間奏曲 第1番(ヴォルフ=フェラーリ) | ヴォルフ=フェラーリ, ロビン・ステープルトン, Royal Philharmonic Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Semele, HWV 58, Act III Scene 2: My Racking Thoughts By No Kind Slumbers Freed | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | F Major | 0 | 7B | 92 BPM | ||
| Alleluia | Baksman | A Major | 3 | 11B | 104 BPM | ||
| Vera of Las Vegas: Prologue | Daron Hagen, Patrick Jones, Paul Kreider, Donna Hagen, University of Nevada Las Vegas Opera Theater Orchestra | B Minor | 2 | 10A | 119 BPM | ||
| La clemenza di Tito, K. 621 / Act 2: "Ecco il punto, oh Vitellia" - "Non più di fiori" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Peter Schmidl, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
| Rossini: Otello, Act I: "Ah si, per voi già sento" - "Premio maggior di questo" - "Amor, dirada il nembo" (Otello, Iago, Chorus) | Gioachino Rossini, Michael Spyres, Choeur de l'Opéra national du Rhin, Sangbae Choï, Marko Letonja, Orchestre Philharmonique De Strasbourg | A Major | 1 | 11B | 109 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
| Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| Die Fledermaus, Act I: Introduktion. Täubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Friedrich Haider, Chen Reiss, Rainer Trost, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Die Walküre, WWV 86B / Act II: "So ist es denn aus mit den ewigen Göttern" | Richard Wagner, Josephine Veasey, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 101 BPM | ||
| Fidelio, Op. 72, Act I: Aria. O war' ich schon mit dir vereint (Marzelline) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
| Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM |