Polovtsian Dances: III. Allegro vivo by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra Song Details

Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra's 'Polovtsian Dances: III. Allegro vivo' had a release date set for August 1, 1995. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 19 in Borodin: Symphony No. 2 by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Polovtsian Dances: III. Allegro vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Polovtsian Dances: III. Allegro vivo by Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -13.354 dB
Acousticness: 73%
Danceability: 23%
Energy: 40%
Instrumentalness: 51%
Liveness: 13%
Loudness: 78%
Speechiness: 4%
Valence: 29%

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