Morton Gould, Benny Goodman, Columbia Jazz Combo's ' "Derivations for Clarinet and Band: III. Rag" was released on its scheduled release date, 1953. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Derivations for Clarinet and Band: III. Rag's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Benny Goodman - Collector's Edition by Benny Goodman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Derivations for Clarinet and Band: III. Rag is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Derivations for Clarinet and Band: III. Rag by Morton Gould, Benny Goodman, Columbia Jazz Combo is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 73 BPM | ||
| Folk Tune and Fiddle Dance: Fiddle Dance | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 61 BPM | ||
| The Pacific Boils Over | RCA Victor Symphony Orchestra | A Major | 2 | 11B | 84 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| Roving Fancies | Haydn Wood, The Regent Classic Orchestra, Albert Sandler, Billy Ternent, Charles Shadwell, Charles Williams, David Rose, Eric Coates, George Melachrino, Hans May, Jay Wilbur, Louis Levy, Morton Gould, Robert Preston, Sidney Torch, Stanley Black, Walter Goehr, Albert Sandler Palm Court Orchestra, BBC Variety Orchestra, Billy Ternent Orchestra, David Rose Orchestra, Harmonic Orchestra, Louis Levy Music From The Movies, Mayfair Orchestra, The Melachrino Orchestra, Morton Gould Orchestra, New Century Orchestra, New Concert Orchestra, Orchestre Raymonde, Queen's Hall Light Orchestra, Robin Hood Dell Orchestra, Stanley Black Orchestra, The Geraldo String Orchestra, Two Cities Symphony Orchestra | D Major | 3 | 10B | 85 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: IV. Tempo di Marcia | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F Minor | 1 | 4A | 63 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
| Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | A♭ Major | 2 | 4B | 131 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | C Minor | 1 | 5A | 88 BPM | ||
| Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
| Symphony No. 1 in D Minor: II. Adagio molto (sostenuto) - 1993 Remastered | Charles Ives, Morton Gould, Chicago Symphony Orchestra | F Major | 1 | 7B | 74 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| I. March; Allegro (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | F Major | 1 | 7B | 128 BPM | ||
| Ravel:Ma Mere I'oye, The Fairy Garden | Various Artists | B♭ Minor | 3 | 3A | 66 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| A Cotswold Hill Tune | Charles Wilfrid Orr, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 2 | 11B | 84 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Children's March "Over the Hills and Far Away" (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 99 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
| Hamlet: In the Garden - Music from the Film | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM |