Weg über die Alpen by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore Song Details

"Weg über die Alpen" by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore had its release date on August 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rütti: Verena, die Quelle". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Weg über die Alpen's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Weg über die Alpen by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -16.416 dB
Acousticness: 94%
Danceability: 27%
Energy: 22%
Instrumentalness: 1%
Liveness: 76%
Loudness: 73%
Speechiness: 4%
Valence: 9%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lully, lulla, thou little tiny child	Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson	C Major	1	8B	78 BPM
Missa Angelorum: Gloria	Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson	F Major	1	7B	129 BPM
We Sing to You	Laudate Mennonite Ensemble	E♭ Major	1	5B	71 BPM
The Dream of Gerontius, Op. 38, Pt. 1: IIb. Kyrie eleison	Edward Elgar, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins	E Major	2	12B	133 BPM
Before Action	Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans	F Minor	2	4A	67 BPM
The Passing of the Year: No. 7, Ring out, wild bells	Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris	E Minor	0	9A	73 BPM
Gaudete: Gloria! Gloria!	Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold	A♭ Major	1	4B	159 BPM
The Cross May Be a Burden SHZ 355	Laestadian Lutheran Church, Viena Kontkanen, Kaitlyn Huhta	B♭ Major	0	6B	129 BPM
The Armed Man (Ensemble Version): III. Kyrie	Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge	G Major	2	9B	127 BPM
Poem: Die Verlobten	Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore, Silja Walter	C Major	1	8B	79 BPM
The Crucifixion: Hymn. The Adoration of the Crucified	John Stainer, Brian Kay, Margaret Philips, BBC Singers, Leith Hill Festival Singers	F Major	1	7B	128 BPM
Messe Solennelle, Op. 16 - Benedictus	Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot	E Major	1	12B	57 BPM
Francis Poulenc: Quem vidistis pastores	Lumen Valo	B Minor	1	10A	131 BPM
O magnum mysterium: I. O magnum mysterium	Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus	F♯ Major	1	2B	110 BPM
Baptism of Christ	Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler	D Minor	0	7A	146 BPM
Mass for unaccompanied double choir: IV. Sanctus	Frank Martin, RIAS Kammerchor, Daniel Reuss	D Major	1	10B	85 BPM
Regem, cui omnia vivunt – Venite, exsultemus	Cristobal de Morales, De Profundis, Eamonn Dougan	B♭ Major	1	6B	82 BPM
Peace I Leave With You	Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams	E♭ Major	1	5B	79 BPM
Requiem: Sanctus - Benedictus	Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill	B Major	2	1B	71 BPM
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating	Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava	D Major	1	10B	83 BPM
As torrents in summer	Edward Elgar, Phoenix Chorale, Christopher Gabbitas	B♭ Minor	1	3A	91 BPM
Be Merciful unto Me, O God (Psalm 56)	Stanley Alcock, Gloriae Dei Cantores, Elizabeth C. Patterson	B♭ Minor	1	3A	100 BPM
Care for Us, O God of Grace SHZ 377	Laestadian Lutheran Church, Viena Kontkanen	B♭ Major	0	6B	129 BPM
King David (Arr. Farrington for Mixed Choir & Piano)	Herbert Howells, IKON, David Hill, Iain Farrington	G Major	1	9B	128 BPM
3 Six-Part Choirs, Op.39: II. Abendlied	Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry	E Major	2	12B	133 BPM