On July 31, 2004, the song "Aaye Hain Navrate" was released by Mukesh Pattiwala. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Chheti Chheti Mandiran Nu Khol by Mukesh Pattiwala. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Aaye Hain Navrate is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aaye Hain Navrate by Mukesh Pattiwala is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tun Tay Barhi Cheej Hain | Gurdas Maan | D♭ Major | 5 | 3B | 138 BPM | ||
| Ghut Ghut La Lai Hikk Naal | Satnam Sagar, Sharanjeet Shammi | D♭ Major | 6 | 3B | 87 BPM | ||
| Do Talwaran | Jaswinder Brar | C Major | 6 | 8B | 144 BPM | ||
| Akh Naal Akh | Lovely Nirman | F♯ Major | 7 | 2B | 79 BPM | ||
| Heer Ranjha | Hardev Mahinangal | B♭ Minor | 8 | 3A | 156 BPM | ||
| Chal Beth Gaddi Vich | Mukesh Pattiwala, Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Lakk De Hulare | Sukhbir Rana | F Minor | 9 | 4A | 116 BPM | ||
| Bawe Wali Di Nathali | Varsha Jamwal | A Major | 8 | 11B | 170 BPM | ||
| Puttar Di Daat | Mukesh Pattiwala, Rekha Rani | B♭ Minor | 7 | 3A | 76 BPM | ||
| Jhanjhar Da Chahnkara | Balkar Sidhu, Manpreet Akhtar | G Major | 10 | 9B | 140 BPM | ||
| Tera Vanjhli Varga Bol | Mohd. Sadiq, Ranjit Kaur | E Minor | 8 | 9A | 126 BPM | ||
| Kiyon Javen Tarfai Ni | Dharampreet | B Minor | 7 | 10A | 110 BPM | ||
| Yarra Ve | Karamjit Anmol | E♭ Minor | 9 | 2A | 170 BPM | ||
| Dupatta Tera Sat Rang Da | Surjit Bindrakhia | E Minor | 6 | 9A | 171 BPM | ||
| Aakhde Sharabi | Nachhatar Gill | D Major | 8 | 10B | 146 BPM | ||
| Pegg Husan Da | Amarjeet Nagina, Kiranjoti | D♭ Major | 9 | 3B | 109 BPM | ||
| Deeva Balda Bnere Te (traditional) | Satinder Sartaaj | B♭ Major | 9 | 6B | 104 BPM | ||
| Chan Ton Sohni Meri | Naseebo Lal, Zubair Shah | B♭ Minor | 8 | 3A | 176 BPM | ||
| Billiyan Akhiyan | Surjit Bindrakhia | E Minor | 8 | 9A | 95 BPM | ||
| Mukhde Di Lali | Hardev Mahinangal, Anita Samana | F♯ Major | 8 | 2B | 172 BPM | ||
| Modhay Nal Modha | Surjit Bindrakhia | F♯ Minor | 9 | 11A | 82 BPM | ||
| Tere Mere Pyaar Nu | Surjit Khan | E♭ Major | 4 | 5B | 79 BPM | ||
| Aaye Hain Navrate | Mukesh Pattiwala | E♭ Minor | 7 | 2A | 172 BPM | ||
| Aashiq Bha Ji | Karamjit Anmol | D♭ Minor | 8 | 12A | 128 BPM | ||
| Moh Tan Chandria Aunda | Dharampreet | D Major | 8 | 10B | 172 BPM |