- BPM
- 76
- Key
- E♭ Major
- Camelot
- 5B
L'arlésienne by Georges Bizet, Canut Reyes Song Details
Georges Bizet, Canut Reyes's 'L'arlésienne' had a release date set for 1989. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 12 in Boléro by Canut Reyes. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. L'arlésienne is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of L'arlésienne by Georges Bizet, Canut Reyes is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -18.712 dB
- Acousticness
- 86%
- Danceability
- 51%
- Energy
- 26%
- Instrumentalness
- 2%
- Liveness
- 10%
- Loudness
- 69%
- Speechiness
- 3%
- Valence
- 29%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Jarvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | |
 | Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Il trovatore: Anvil Chorus 'Vedi le fosche notturne' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | |
 | Bizet: Carmen, WD 31, Act 4: "Carmen, un bon conseil" (Frasquita, Carmen, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | |
 | Coppélia: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 72 BPM | |
 | Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | |
| Bizet: Carmen, WD 31, Act 2: Chanson bohème. "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | |
 | Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | |
 | Samson et Dalila, Op. 47: Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | |
 | De mon amie, fleur endormie... Léïla ! Léïla ! (Nadir, Léïla) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 1 | 6A | 71 BPM | |
 | Minuet from String Quintet in E, Op. 13, No. 5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 106 BPM | |
 | Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM | |
 | Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | |
 | The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | |
 | Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | |
 | String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | |
 | Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
- ISRC
- CH0041401900
- Label
- L-M Records/RCA Records