"Trio in E Minor: II. Scherzo" by Samuel Coleridge-Taylor, Kaleidoscope Chamber Collective had its release date on May 27, 2022. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Samuel Coleridge-Taylor: Nonet, Piano Trio, Piano Quintet". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Trio in E Minor: II. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio in E Minor: II. Scherzo by Samuel Coleridge-Taylor, Kaleidoscope Chamber Collective having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norfolk Rhapsody No. 1 in E minor | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | E Minor | 0 | 9A | 80 BPM | ||
| Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | ||
| Concerto for Violin and Orchestra (To the memory of my mother): III. Allegro, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 76 BPM | ||
| Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune (Arr. Roelens for Violin and Piano) | Claude Debussy, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 174 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Nocturne (Arr. for Violin and Orchestra by Matthias Spindler) | Lili Boulanger, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
| Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | ||
| Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Arr. Lawson for Harp) | Edvard Grieg, Alis Huws | E Major | 0 | 12B | 124 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
| Children's Song No. 1 (Arr. for guitar by Forbes Henderson) - Classical Session | Chick Corea, Sean Shibe | C Major | 0 | 8B | 93 BPM | ||
| Lyric Pieces, Book III, Op. 43: No. 3, In My Native Country | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
| Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
| Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | D Major | 0 | 10B | 75 BPM | ||
| Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
| Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
| Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
| 6 Lieder de Franz Schubert: I. La Sérénade | Alexandre Batta, Franz Schubert, Sol Gabetta, Irina Zahharenkova | G Major | 1 | 9B | 94 BPM | ||
| Troubled Water | Margaret Bonds, Jeneba Kanneh-Mason | C Major | 1 | 8B | 127 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM |