"Ambush and Aftermath" by Tristram Cary, Mark Ayres had its release date on September 13, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 22 out of 33 in Doctor Who - The Daleks In Colour (Original Television Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ambush and Aftermath's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ambush and Aftermath by Tristram Cary, Mark Ayres is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doctor Who Opening Title Theme | Delia Derbyshire | F♯ Minor | 5 | 11A | 177 BPM | ||
| The Little Island Track 07 | Tristram Cary | F Major | 1 | 7B | 133 BPM | ||
| Medical Checkup | Harold Faltermeyer | B Major | 2 | 1B | 127 BPM | ||
| Dem Bones | Alan Silvestri | D♭ Major | 3 | 3B | 142 BPM | ||
| Winter Is Here | Stephan Bark, Humanix | D♭ Major | 2 | 3B | 80 BPM | ||
| Prologue / Main Title | Angela Morley, Michael Hordern | D Minor | 2 | 7A | 89 BPM | ||
| TVR-17 Pop | Barry Gray | F Minor | 8 | 4A | 83 BPM | ||
| Ambush and Aftermath | Tristram Cary, Mark Ayres | F♯ Minor | 3 | 11A | 135 BPM | ||
| Just Me | Maria Korbova, Mery Leon | C Major | 1 | 8B | 110 BPM | ||
| What Boy, Ma'am? / Main Titles | Harry Manfredini | C Major | 2 | 8B | 80 BPM | ||
| Following Hobden | Daniel Pemberton | A♭ Major | 3 | 4B | 108 BPM | ||
| Doctor Who Opening Credits | Ron Grainer | B Minor | 8 | 10A | 105 BPM | ||
| Picture Box | Matt Berry | G Major | 3 | 9B | 146 BPM | ||
| Blake's 7 | The London Theatre Orchestra | D♭ Major | 4 | 3B | 87 BPM | ||
| Oltre la soglia | Fabio Frizzi | D Major | 4 | 10B | 96 BPM | ||
| Unknown (Abandoned Level) | Medievil I | A Major | 9 | 11B | 140 BPM | ||
| Stingray Main Titles | Barry Gray, Mike Sammes Singers | B♭ Major | 5 | 6B | 115 BPM | ||
| Iziz Cantina | Nathanael Lloyd | D♭ Major | 3 | 3B | 100 BPM | ||
| Bigwig's Capture | Angela Morley | F Minor | 1 | 4A | 91 BPM | ||
| Godzilla Roars - Long | Ifukube | G Minor | 2 | 6A | 165 BPM | ||
| Guilty as Charged | Lorne Balfe, Julian Nott | C Minor | 1 | 5A | 135 BPM | ||
| Destination Lost | Eddy Melton, Eddie Melton | D♭ Minor | 4 | 12A | 105 BPM | ||
| Hiruko | Akihiro Manabe | A♭ Major | 8 | 4B | 121 BPM | ||
| Closing Theme | Harry Manfredini | C Major | 3 | 8B | 144 BPM | ||
| Awaken | Arcadia | E♭ Minor | 4 | 2A | 88 BPM |