"FBI Closes In" by Rob Simonsen had its release date on March 31, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Going In Style (Original Motion Picture Soundtrack)" album is number 14 out of 16. On top of that, United States appears to be the country where this track was created. FBI Closes In is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of FBI Closes In by Rob Simonsen to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| The Last Thing | Clinton Shorter | D Major | 1 | 10B | 88 BPM | ||
| District 9 | Clinton Shorter | C Minor | 3 | 5A | 135 BPM | ||
| Mark & Oliver | Rob Simonsen | E♭ Major | 1 | 5B | 75 BPM | ||
| The Acceptance - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Mothers' Instinct (End Credits) | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Something The Matter | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 68 BPM | ||
| What Spirit! | Nick Chuba | C Major | 2 | 8B | 76 BPM | ||
| Forget the Miracle Ever Happened | Ryan Lott | C Major | 3 | 8B | 134 BPM | ||
| Olive Ridley | Jasha Klebe, Thomas Farnon | D♭ Major | 4 | 3B | 145 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| First Day in Court | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| Joint Press Conference | Marcelo Zarvos | D♭ Minor | 3 | 12A | 130 BPM | ||
| The Last Repair Shop | Katya Richardson, Kris Bowers | B♭ Major | 3 | 6B | 139 BPM | ||
| The End | Jonathan Sadoff, Rob Simonsen | C Major | 3 | 8B | 80 BPM | ||
| Thomas | Andrea Farri | G Major | 1 | 9B | 100 BPM | ||
| Berenice | Andrea Farri | F Major | 2 | 7B | 117 BPM | ||
| A Lifetime Ago | Locked, Felix Manzi | D Major | 0 | 10B | 105 BPM | ||
| Closets Flashback | Mac Quayle | D Major | 1 | 10B | 88 BPM | ||
| Stephen Trains Alessia | Nainita Desai | G Major | 1 | 9B | 184 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Warmth and Grief | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Night Lights | Atli Örvarsson | C Minor | 2 | 5A | 93 BPM |