Marc Antoine's 'Panacea' had a release date set for July 24, 2007. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Marc Antoine's "Hi-Lo Split" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Panacea is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Panacea by Marc Antoine to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wes Who? | Count Basic | A Minor | 8 | 8A | 90 BPM | ||
| Fading Shore Reeds | Oddframe | A Minor | 5 | 8A | 80 BPM | ||
| It Dews | Konstantin | C Major | 7 | 8B | 172 BPM | ||
| Here We Go | Brian Hughes | G Minor | 7 | 6A | 104 BPM | ||
| First Flight | Vibes Alive | B Minor | 5 | 10A | 172 BPM | ||
| Diggin' It | Jay Soto | F Minor | 8 | 4A | 103 BPM | ||
| Summer Chill | Mark Whitfield | D♭ Major | 5 | 3B | 104 BPM | ||
| Midnight | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Midnight In Madrid | Urban Knights | F Minor | 4 | 4A | 78 BPM | ||
| Give a Little | Phil Denny | D Minor | 5 | 7A | 100 BPM | ||
| Scenic Route | Bryan Savage | G Minor | 5 | 6A | 102 BPM | ||
| At Last | Ronny Jordan | C Major | 6 | 8B | 91 BPM | ||
| Taking Off | Andy Snitzer | A Minor | 7 | 8A | 66 BPM | ||
| Ojos De Caramelo | Marc Antoine | F Major | 4 | 7B | 112 BPM | ||
| Wanna Get Closer | The Sax Pack | C Major | 7 | 8B | 109 BPM | ||
| Natural Love | Dee Brown | F Minor | 10 | 4A | 102 BPM | ||
| The Color Purple | Joey Edwin | G Major | 8 | 9B | 88 BPM | ||
| Lost Words | Philippe Saisse, Marc Antoine | E♭ Minor | 7 | 2A | 102 BPM | ||
| Dreams | Attila Molnar | F Minor | 7 | 4A | 92 BPM | ||
| Strut | Kevin Toney | C Minor | 8 | 5A | 90 BPM | ||
| Better Days | Everette Harp | G Minor | 4 | 6A | 83 BPM | ||
| Right Turn Ahead (feat. Michael Manson) | Ben Tankard, Michael Manson | B Minor | 7 | 10A | 118 BPM | ||
| Between Dreams | George Jinda | A♭ Major | 7 | 4B | 170 BPM | ||
| De-Stress Signal | Oli Silk | G Minor | 6 | 6A | 156 BPM | ||
| Uptown | Pamela Williams | B♭ Minor | 8 | 3A | 112 BPM |